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5 Overlooked Billy Joel Songs



billy joel - knifeI came of age in suburban Staten Island during the 80’s, back when you couldn’t hang on the stoop without someone blasting Billy Joel from a boombox. Even my Italian grandparents loved “that little Jew.” They would pop in an 8-Track of The Stranger or 52nd Street in the Caddy on our trips to the city. I’d time it so the title track on The Stranger would blossom just as we popped out of the tunnel into the Battery.

My friend was more fanatic and would dress like Billy Joel… jacket, tie and jeans. I always looked like a shlub next to him. I was infatuated in my own less demonstrative way. I listened to a lot of those albums exclusively for years, took it personally when anyone criticized Billy, and wore out my VHS of Live from Long Island pretty quickly.

That being said, I’m not into many of the hits anymore. With 33 songs in the top 40, that’s a lot of songs to ignore. Don’t get me wrong, I had a ball at Brooklyn Bowl watching Gene Ween sing them live, but I’m not alone in never wanting to hear Piano Man or goddamn Uptown Girl again, am I? Billy has to be sick of those songs, too.

So what are some overlooked gems from the Billy Joel catalog? I thought you’d never ask.

1. All for Leyna / Glass Houses, 1980

Ok, I’m gonna start with an obvious one. Obvious to fans, that is. Let me be clear by saying good Billy Joel songs are not “overlooked” by fans, just by Joe Shmoe who probably only knows a fistful of hits.

As a ten year old in 1980 my only experience with women was a quick kiss here and there, yet lyrics like “I don’t wanna eat, I don’t wanna sleep, I only want Leyna one more time” spoke to the part of me that gave into obsessions. Granted most of my obsessions involved eating entire boxes of Cap’n Crunch when no one was looking, but there was definitely a girl or two I couldn’t get off my mind during all that crunching.

All For Leyna is Joel several albums away from his sweet and folksy debut. By now he’s heard The Police and wants in. My English teacher thought Glass Houses was the best example of Billy Joel selling out. He probably also thought Dylan sold out when he went electric. Whatever. At their core, these guys are entertainers, and entertainers like to make crowds happy. Billy started in a piano bar, for chrissakes.

2. Worse Comes to Worst / Piano Man, 1973

“And if I don’t have a car, I’ll hitch. I got a thumb and she’s a son of a bitch.”

My pal and I used to hang out in SoHo in our early teens and if we ever found ourselves in a sketchy neighborhood we starting mouthing the intro music to this song. It somehow represented something gritty and urban to us, which is so off the mark listening to it now. Sounds more like Jimmy Buffet taking a cab through the Lower East Side. Totally listenable, totally seventies with some great slide guitar and background vocals. I wish Billy would do smaller venues playing songs like this instead of his usual live stuff.

3. You Look So Good To Me / Cold Spring Harbor, 1971

You won’t look cool blasting this at full volume cruising down the bully, that’s for sure. It kinda sounds like white people getting dressed for an early supper. Almost like a James Taylor or Carol King cover, but it’s a Billy original, yo.

I’ve never heard it outside playing it for myself. Not on the radio, not in concert, never heard fans talking about it. Yet to me it’s the perfect little pop song. A little light lyrically, but Stevie Wonder could have a field day funking this love song up.

4. Close to the BorderlineGlass Houses, 1980

“I got remote control and a color TV. I don’t change channels so they must change me.”

This is drunk and probably stoned Billy uncharacteristically rocking out and letting loose in a way that made fans of Piano Man skip to the next track. I love it and I’m sure I’m not alone. I wish he made more balls to the wall songs like this.

Sung via the same impatient point of view as Pressure from The Nylon Curtain, it’s another litany of modern day anxiety encapsulated in four minutes of rock. It’s a road-house stomper that doesn’t take itself too seriously – which Joel is sometimes guilty of.

5. Surprises / The Nylon Curtain, 1982

“Don’t look now but you have changed.”

The ghost of John Lennon walks the halls of The Nylon Curtain in ways Joel never allowed before or since. I used to think this was Joel’s best record, and it certainly has a lot of great songs on it, but let’s be honest; it’s no 52nd Street. In fact, I forced myself not to include anything from 52nd Street on this list because that record belongs on a different list altogether.

The Nylon Curtain is famous for Allentown, Pressure and Goodnight Saigon, but Surprises, Laura, and A Room of our Own are the best tracks if you ask me, and you didn’t. It’s grown-ass suburban music fo’ shizzle. That he followed this record with a concept album exploring doo-wop is still jarring.

And so it goes… 5 overlooked tracks among many possible choices by a guy who has sold more than 150 million records worldwide. He even got to keep some of that money.

Now if only we could get him to write something new.

Recording as Electronic Device, Brooklyn artist and writer Eric Curran releases his debut record "Two Dull Boys" in 2021.


Comic Fans: Geek out with Cartoonist Kayfabe



Cartoonist Kayfabe is a YouTube channel hosted by comic-book makers Ed Piskor and Jim Rugg.

Comics have come a long way since they were just for kids – and anyway, those kids have grown up and rightfully embrace it as  an artform. Cartoonish Kayfabe expertly walk you through the finer points of comic creation and appreciation, referencing some high quality images along the way.  If you’re a comic geek, you will dig it – especially if you’re into 90’s era and independent comics.

Recording as Electronic Device, Brooklyn artist and writer Eric Curran releases his debut record "Two Dull Boys" in 2021.

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Chadwick Boseman Forever!!



It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (It’s the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)

Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve I’m certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.

Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.

Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which T’challa championed, represented and aptly responded “Oh hell Nah Karen!”

If you don’t understand the relevance of representation, it’s probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.

R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.

Alfred Obiesie is a writer with over 12 years of online content contribution (,, and author (You Made It a Hot Line; The most influential lines in hip hop.) The book chronicles hip hop lines from the genre’s most notable artists spanning almost 40 years. It is illustrated by Grammy award winning Illustrator Shah Wonders and has garnered praise from multiple media outlets (Sirius XM, Vibe, Brooklyn Public Library, Schomburg Center for Research in Black Culture, New York Public Library, etc...)

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10 Easter Eggs of Segregation in Lovecraft Country Episode 1



We’re all familiar with movies hiding easter eggs throughout their films sending winks and nods to pop-culture references. Sometimes it will be a tip-of-the-cap to an author, actor, or creator. Sometimes it is paying homage to an inspiring series, book, or film that’s near and dear to the director’s heart. This week I’ve seen a first. A T.V. series that has several easter eggs depicting segregation and oppression that only eagle-eyed aficionado’s of the black struggle might have caught on to.

Lovecraft Country is littered with important details that would fly over many people’s heads, and as I watched it again, I caught more nods to the true oppression of many African-Americans during the post-World War II era.

As a film buff, nothing makes me happier than watching a review, breakdown, or hidden easter egg video on a TV show I enjoy. Yesterday I did the same with Lovecraft Country, and while many of the melanin-deficient reviewers on youtube touched on the themes of literature, horror, and fantasy, many understandably missed some of the most important historical references.

Here are 10 Easter Eggs of Segregation in Lovecraft Country Episode 1.


1. H.P. Lovecraft’s little poem.


While we all know H.P. Lovecraft as an innovator of modern horror, fiction, and fantasy in literature, many people (including myself) didn’t know about a poem he wrote that spoke horribly about African Americans. Lovecraft Country alludes to the poem, but never recites it. Once they mentioned the title, I went straight to my Google Search. Below is the poem called: On the Creation of N*****s (1912)

When, long ago, the gods created Earth
In Jove’s fair image Man was shaped at birth.
The beasts for lesser parts were next designed;
Yet were they too remote from humankind.
To fill the gap, and join the rest to Man,
Th’Olympian host conceived a clever plan.
A beast they wrought, in semi-human figure,
Filled it with vice, and called the thing a N****r.

I’m sure Jackie Robinson beating the S**T out of Cthulhu at the beginning of the episode was a collective middle finger from the black community to Mr. Lovecraft.

2. Seating for Black People


Scene from episode 1


Actual photo of a segregated bus

While this may not come as a surprise to many of you, a lot of people are ignorant to the fact that, yes, black people were made to sit in the back of the bus. Many know the story of Rosa Parks’ defining moment, but for decades this was the way of life for black people. Where insult to injury is predicated in the show is when the bus breaks down and the bus driver gets a local pick-up truck driver to ride the stranded passengers into the city. Immediately in the next scene, the only two black passengers were seen walking down the road into Chicago.

3. Propaganda for the Negro Soldier



In Lovecraft Country, the above poster is not shown in this episode, but instead, it’s a black soldier telling other young black men that if they enlist, they can see the world. While Atticus walks by the soldier, there’s a glance of recognition as if Atticus was once one of those impressionable young men, and he knows their being lied to. Black men had to be enticed to enlist by different methods than whites because it was hard to show patriotism to a country that still to that day had kept them oppressed. So, they would show a poster of Joe Louis joining the fight…why don’t you? Get to see the world! Little did they know seeing the world would involve PTSD, death, and despair.

4. The Negro Motorist Greenbook


Scene from episode 1 depiction of the Green-Book


Actual Green-Book

The synopsis according to is: “Lovecraft Country follows Atticus Black as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father.” While this is true, it’s not the whole story. Why are they embarking on this trip? It’s to help update what many people may know as, The Negro Motorist Greenbook. Yup, just like the movie, The Greenbook. If you don’t know, this book was originated by Victor Hugo Green as a travel bible for African Americans. It provided details of safe roads to travel, places for food, repairs, and lodging where they wouldn’t be turned away or even worse, assaulted.

5. James Baldwin’s monologue on racial divide


During one of the scenes in Lovecraft Country, we see a montage of our protagonist’s road trip. In the montage we see different moments where they face discrimination, others facing discrimination, and the hardships of ignorant people with all the privilege in the world monopolizing on their entitlements. Usually, during movie montages, a composer would play a score to envoke emotions during the collection of scenes. Lovecraft Country went in a different direction. Instead, they played the monologue of James Baldwin’s renowned speech at Cambridge University where he debated with William Buckley on the subject of the United States racial divide. James Baldwin was a brilliant playwright, novelist, speaker, and activist that eloquently described the plight of the black man as it still stands today. Merged with the scenes during the montage, it speaks volumes about the state of America.

6. Ice Cream stand Scene


Scene from episode 1


Gordon Sparks photograph

In one of the scenes in the montage, we see a black man and his children waiting at an ice cream stand for service. Right over them is a sign that says “colored” and on the other side of the stand is a group of white people with ice cream being tended to by the servers. This scene looked extremely familiar to me. When I did some research, I realized this scene was based on a famous photograph by Gordon Parks, photographer and journalist who well-documented scenes of the segregation and civil rights era. Years ago I saw his work in its full brilliant quality at the High Museum in Atlanta. The color and detail brought a realism that a black-and-white photo could never do. It made this a real thing.

7. Mother and daughter under the neon sign


Scene from episode 1


Actual photo

This scene once again pays homage to another photograph by Gordon Parks. A mother and her daughter dressed elegantly as if they were going to church, standing under a large neon sign that says ‘Colored Entrance’.

8. The billboard across from the gas station


Scene from episode 1


Advertisement the billboard is based on

While Atticus and company are at a gas station filling up their car, they are approached by a gas station attendant pretending to be a gorilla to mock them. Leticia holds Atticus back from approaching the man as the attendant intensifies his ignorant behavior and she forces Atticus into the car. As they pull off, you can see a Billboard for Aunt Jemima in the background. Aunt Jemima has always been a misrepresentation of black culture through the lens of the white man and advertised to his fellow man as the overall perception of black people. The image of  Aunt Jemima is a source reflection of the learned behavior of the gas station attendant.

9. Sundown towns


Scene from episode 1

Two years ago was the first time I’ve ever heard of a Sundown Town. No, not through a history book, but as a warning about staying too late in a little town in Texas that exists today! If I didn’t hear about this first hand, I would’ve thought it was a theme of the past, but no. There are currently county’s that do not condemn the abuse of black people once the sun goes down! While the billboard here might be a relic from the past, Sundown Towns are definitely alive and well across America!

10. White walls


Scene from episode 1

Not only is this one telling, but it also holds all kinds of subliminal messages. While the group finds a Green book safe haven for dining called Lydia’s, they are surprised to find the restaurant is now called, Simmonsville Dinette. Still, they walk in and are greeted by unwelcoming faces. While the server goes to the back for what seems like their coffee orders, Atticus realizes that the walls are painted white. He asks his uncle to remind him why the white house was white. His uncle tells him about the war of 1812 when British soldiers torched it and when slaves were tasked to rebuild it, they had to paint it white to cover up the burn marks. This tells us two things. Lydia’s restaurant was burnt down and rebuilt by trespassers (obviously for being a safe haven for blacks in this all-white town) and the blackness of this restaurant was erased and covered up by the ‘white’ paint. My goodness, I could go on and on about this one!

I was expecting this series to be littered with easter eggs, but knowing they have incorporated easter eggs specifically about the black movement and struggles has me fired up to see what else is in store for these characters. Did you see any easter eggs that I missed? Comment and let me know.


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