Elvis Costello makes another case for song.
Let me first say I’m totally grooving on this record. I didn’t expect to, honestly, because I was itching for Costello to record some of those A Face in the Crowd songs he did on the last tour. While I’d love to sink my teeth into studio versions of “American Mirror” and “Blood & Hot Sauce,” maybe it’s best that Costello released this upbeat “uptown pop” record instead.
Artists like Paul McCartney and Elvis Costello are masters of their craft, and I’m just a greasy schmo. That’s not going to stop me from opining that there are at least two Elvis Costellos – the punkish new wave Elvis, and the Elvis that relishes full album detours into Motown, country, chamber, pop, and experimental music.
These two Elvises finally collide on Look Now, his thirty first album and one infused with sounds longtime fans may find familiar. There’s a hint of Imperial Bedroom in the orchestration of “Under Lime” and “Suspect My Tears,” and more than a little Painted from Memory and North in “Stripping Paper,” “Photographs Can Lie,” and “Why Won’t Heaven Help Me.”
Costello even embraces some The River in Reverse sounds on the rollicking “Mr. & Mrs. Hush” and “Burnt Sugar is so Bitter” – the latter written with Carol King.
Look Now is heavy on characters, some from recent records. As usual, Costello is not afraid to sing from a woman’s perspective – pronouns intact. You can handle that, right?
Costello doesn’t get as experimental as When I Was Cruel or Wise Up Ghost, but there’s something beautifully new about his vocal register in the very Beatlesesque “I Let The Sun Go Down” – a song cut from the same cloth as “Possession” or “You Tripped at Every Step.” He’s in fine voice and never ceases to amaze.
Once again, The Imposters prove there is nowhere Elvis leads that they can’t follow with grace. Drape in some luscious strings, some cheeky background vocals, a horn or two, and you’ve got a little something for everybody. Now about that next detour…
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What Other Folks Are Saying
McCartney III is Coming Up!
McCartney III is the 18th solo album by ex-Beatle Paul McCartney, scheduled to be released on December 11th 2020 by Capitol Records. Like the first two self-named McCartney solo records in 1970 and 1980, McCartney III features Paul on all instruments.
McCartney III promises to be a return to form for Paul, who wrote, produced, and recorded the record in quarantine.
DJ PREMIER VS THE RZA
Music continues to make this unprecedented global quarantine an unexpected treat. On Easter Eve two of the grittiest producers of our generation treated us to a trip down memory lane. DJ Premier and The RZA served up a slew of timeless joints blow for blow. Every cut invoked memories of a time when the critics and fans were universally aligned in appreciating creativity.
Over 150 thousand people zoned in and listened to these legends drop over 40 tracks of pure excellence! The tracks featured the likes of The Wu-Tang Clan, Gang Starr , Jay-Z, Nas, Biggie, Kanye West, Jeru the damaja, M.O.P, Big L, Mary J Blige, Christina Aguilera and many more. It was a Masters class in Hip Hop phonics and the genre’s students around the globe were all tuned in to hear it!
For the unfortunate ones that managed to miss this moment of history, here’s a visual representation of some of the subject matter presented!
Mass Appeal – Gang Starr (The ultimate drive through other people’s neighborhood joint)
Liquid Swords – GZA (This made a lot of MC’s re-evaluate their penmanship)
MC’s Act Like They Don’t Know – KRS-One (DJ’s go to record to make sure their speakers were up to the task)
Wu-Tang Clan – Protect Ya Neck (If getting jumped was a record)
Nas Is Like – Nas (The record that made everyone rewind the first line like wtf did he say?!)
Brooklyn Zoo – Ol Dirty Bastard (The Brooklyn invitation to let everyone know you there)
Yes you definitely played yourself if you decided to cut instagram class tonight! The aforementioned treats were only a couple of lessons shared during this session of night school.
Shout out to the Principals (Swizz Beatz & Timberland) of battles in enhancing our quarantine curriculum by inviting these Professors of Hip Hop. Not only did they raise the bar in competition and quality but they surely injured some necks after the evening’s engaging lecture!
This class originally began with a syllabus calling for one A at the end of the semester. But the students rightfully revolted by keeping it Hip Hop and changing the rules to award the whole subject matter an A+. So on behalf of everyone with an ounce of flavor in their blood, THANK YOU PREMIER & RZA! We appreciate you!
Janita in Love
ECR Music Group recording artist Janita releases her new single “I Do” today, apropos of Valentine’s Day, and you won’t be able to get it out of your head.
The follow-up to “Bliss I Once Had This,” “I Do” is the second single off her new album, Here Be Dragons, dropping May 1st. It’s an honest-to-goodness anthem of love, saying more with less, and building to a gorgeous frenzy upon that killer rhythm section of Justin Goldner on bass and the incomparable Miles East on drums. Damn, that bass, tho.
Is there anything you can say to someone that’s more affectionate than I see you, I got you? Isn’t that the kind of love we all dream of? In that way the song is as much about the subject as the singer, adding to its depth and beauty.
“I have a restless soul, an innate curiosity which pushes me to learn, and to change. Uncharted territory is terribly exciting for me. I often feel like I’m on the edge of something new, even with those I’ve loved for years and years. ’I Do’ is about the renewal of one’s love for someone––love being the most thrilling of all uncharted territories––and a renewal of one’s commitment to exploring all the corners of the map of that relationship.”
Both Janita and producer Blake Morgan are the rare breed of artist that continue to grow in leaps and bounds with each new record, when you wouldn’t expect things could get any better. Janita says more in a two word chorus than many musicians do in a whole song. And Blake’s production has only gotten smoother, smarter, and more focused with every release. “I Do” is another shining example of the continued thoughtful collaboration between the two.
Do you believe two artists can find the perfect partner in each other? I do.
Catch Janita’s album release on April 30th at New York’s legendary Rockwood Music Hall.