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Daniel Ortiz Rants on: Avengers Infinity War



The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.”

Everyone’s most anticipated movie of 2018 has finally hit the screen. Avengers Infinity War is the most ambitious comic book adaptation of all time. When the first Avengers film came out, I wondered how would they get this movie to work with all these characters and they nailed it. Captain America Civil War came out years later and they planned to add more characters, plus a newly purchased Spider-Man from Sony. I wondered how would they get this movie to work with all these characters…NAILED IT! Then a couple years back the producers were discussing Infinity War. They mentioned getting the Avengers together, throw in Spider-Man, add all our favorite characters from Wakanda, sprinkle in some Dr. Strange and then add the Guardians of the Galaxy. I wondered how would they get this movie to work with ALL these CHARACTERS??? Tonight, I will go ahead and say, DC…you have a loooooooooong way to go! BECAUSE MARVEL FREAKIN’ NAILED IT!!!

This movie was nothing short of epic! As you may have assumed, I was very concerned about how such a cast of big-named actors; some that are used to the lead role in all of their movies would be willing to share a screen, and even in some cases take a back seat to this project. Would this work?? It did!! Even in the Marvel Universe these characters have larger-than-life-ego’s, but the writers did an amazing job giving each one of them a moment to shine, without forcing dialogue or action.

The most prosperous of all the characters in this movie was the antagonist, Thanos. His character was so enthralling and he hooked you with every word he spoke. Even his most maddening philosophies gave him such a depth in character, and where it would’ve been extremely easy to roll with him being one dimensional, the writers took their time to humanize him without sacrificing his diabolical side.

There were also a lot of cool cameos calling back past characters that were part of individual properties. It was a nice nod to see a character that could’ve easily been forgotten, but Marvel understands how instrumental they are to the personal development of their respective protagonist. One cameo was completely unexpected from one of my favorite HBO shows, especially since the person played a pretty hilarious role reversal.

The action and battle scenes in this movie were very well done. They were engaging, entertaining and each one had a high cost. You really didn’t know in which direction a win was going. I also want to point out that the CGI on Thanos was remarkable as well. There was no distraction in his look, other than how intimidating he was.

The writers did an amazing job of adding heart, humor, action, philosophy, and emotion into this film. It turned out being a lot heavier in message and emotion than I expected and will give the viewer a lot to talk about well after walking out the theater. Oh yea, and there is only one end-credit scene.

According to my rate scale, I said Jesus himself would have to direct a movie to give it this grade…and for the first time ever…

Overall Grade: A+

Jesus didn’t direct it, but this movie was truly a gem. It wasn’t a film where the protagonists rode off into the sunset. It made you feel some sort of way when it ended and left you salivating for more. I’m ready for 2019! Please like, share and subscribe for more content.

Avengers Infinity War
Action, Adventure, Fantasy
April 2018
Director: Joe Russo / Anthony Russo
Marvel Studios
2 hours 29 minutes


Daniel Ortiz Rants on: The Nun



A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.

Before I get into this review, lets talk briefly about The Conjuring cinematic universe. Now, the first Conjuring, I didn’t find it scary, but I did find it very entertaining. The second Conjuring I found to be pretty creepy. Both of these movies were directed by James Wan who also directed Insidious 1 & 2. When it comes to horror, some of his stories have continuity problems, and plot conveniences, but the man really knows how to utilize creepiness and maintain real and unexpected jump scares. It gets you invested in the movie based on fear alone. He’s so good at it, he was able to spawn spinoff films, first with the Annabelle series and now with The Nun.

The problem is that he doesn’t lend his directorial skills to these extended films, and well…they end up falling flat. I will give credit to Annabelle 2: Uprising (as I like to call it). It was better than the first one, but it was definitely no masterpiece.

Now with that brief history of the CCU (as I like to call it) out of the way, lets keep the critique of The Nun short and sweet. It was doo doo.

At the very least I assumed that the film would touch on some things that would play against my faith, but this felt like a story that even Catholics would say, “Dude, you guys have some great imaginations!” It felt entirely too tame, extremely predictable and the story was way too outlandish.

The characters were boring, bland and unforgettable. The demon nun was even boring and lacked a coherent or credible background story. It made me realize that you can take the same character, and one Director make magic it while the other makes smoke and mirrors.

Lets keep the critique of The Nun short and sweet. It was doo doo.

The jump-scares were literally stand-scares. I predicted every single moment that was supposed to be a, “catch you off guard” scare scene, and found myself highly annoyed by the trope of following an ambiguous figure pacing vigorously away from the main protagonists while the protagonist chased them down some dark corridor or smoky forest.

As usual, they try to tie this back to the original Conjuring movie, but it was weak, and you barely remember the original scene in the first place.

Overall Grade: D

It wasn’t good. That’s the end all of it. I would suggest staying home and re-watching The Conjuring 1 & 2. You will get much more out of watching these films. I would also suggest leaving these cinematic universes to Marvel and D.C……just Marvel.

The Nun
Horror, Mystery, Thriller
September 2018
Director: Corin Hardy
New Line Cinema
1 hour 36 minutes
IMDB reference click here

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Review: Blackkklansman



“Ron Stallworth, an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate, who eventually becomes head of the local branch.”

1534992123915Spike Lee’s work has always taken a unique look at the black perspective in America. His earlier works were filled with social commentary that tended to put a magnifying glass on the racial turmoil and bleakness of the black experience. He found a way to make humor out of every day circumstances, then blend it seamlessly with an overall message of human nature within race relations whether good or very bad.

Unfortunately, his later works have suffered a lack of that perfect blend.  They often shift tones so rapidly, his audience can’t comprehend what type of emotion to investment in. I feel that this film suffers from that extreme tone shift.

Not only does the story lack a certain cohesion, there wasn’t any true sense of danger the audience could feel the protagonists were in. The interpretation of the Klansmen was so inept, they failed to do simple things like search a new recruit for a wire or do a thorough background check. Now, I never want to give any credit to the KKK, but one would think a criminal organization such as this one would take the necessary measures to make sure their prospects were legit.

The acting was somewhat decent, but often the levels of racism seemed cartoonish and more ignorant than threatening. Even the character of Ron Stallworth came off as a 90’s black comedian impersonating a white man (even when he wasn’t on the phone). I don’t blame this on the actors but more on the direction.

The racism seemed cartoonish and more ignorant than threatening.

Spike Lee also added commentary in the middle and after the movie that was loosely related to the overall story and once again switch emotional tones between funny moments and brutal stories of racial tensions in America. The soundtrack also seemed to be off. Serious moments weren’t reflected in what we heard and this is integral to creating urgency within the viewer.

Overall Grade: C

Even with my harsh rant, I don’t think its a bad watch. I actually encourage folks to go see this movie for the historical relevance. I just think that the constant shift in tone, sound and emotions muddy down what would otherwise be considered a pretty bad-ass story.

Biography, Comedy, Crime
August 2018
Director: Spike Lee
Legendary Entertainment/Blumhouse
2 hour 15 minutes
IMDB reference click here

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‘Sorry to Bother You’ Just Might



It’s impossible to review Boots Riley’s directorial debut Sorry to Bother You without giving too much away. Before I spoil the surprises, let me say there is much to like about this surrealist dark comedy even as the film tries to toss you from the roller-coaster at regular intervals.

Cassius Green, the young African-American telemarketer played by Lakeith Stanfield, learns that faking a white voice on the phone is the only way to make money when cold calling. David Cross supplies the overdubbed white voice.

The thought of unionizing with his underpaid co-workers is thrown out the window when Cassius is promoted to Power Caller. Power Callers sell a whole different product – a work/life opportunity called WorryFree that is ostensibly slave labor. This doesn’t sit well with his unionizing friends, nor his artist/activist girlfriend Detroit, played by the impure-thought-inducing Tessa Thompson. Cassius has a choice to make that becomes clearer as the plot dives into absolute absurdity.

Nothing may prepare you for the half-horse half-human workhorses that show up in the third act.

Nothing may prepare you for the half-horse half-human workhorses that show up in the third act. Their B-movie bodies (replete with certain horse-like appendages) steal any bit of nuance from the story.

Armie Hammer plays Steve Lift, CEO of WorryFree, with a keen interest in leveraging Cassius as a “Martin Luther King type” workhorse he can control from the inside. Yes, there’s something to offend anyone that doesn’t know how to digest satire – from Detroit’s Murder Murder Murder earrings, to one dimensional white villains, an orgy scene, a two worded rap, and more horse peen than you can shake a stick at.

Yet it somehow works, at least for me. Reminds me of a time in the late eighties to mid-nineties when movies could be looser, made on the cheap, and weren’t expected to gross a hundred million dollars to be successful. Sorry to Bother You cost a little over three million and has made about fifteen as of this writing.

I’m not saying Boots Riley’s debut is comparable to, say, Spike Lee’s She’s Gotta Have It, but it does set the stage for his Do The Right Thing.

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