Marvel did an amazing job of keeping the best moments from Avengers: Endgame out of the trailer. Let us ruin that for you.
I was reading Avengers comics before you could chew solid food and I never dreamed they’d be able to bring a realistic Iron Man and Hulk to the silver screen. But by golly, they did. Avengers: Infinity War may be the best silver screen adaptation of comic lore ever put to film. So my hopes were high that Endgame would be more of the same, which it’s not – but that’s ok. It still has kick-ass moments and is better than anything DC can bring to life. Blame it on the tropes of time travel, or maybe all involved could have used a break between films. Regardless, there are some wonderful moments on screen and somehow the trailers told you next to nothing.
I admit I knew about this going in. Yes, I searched for Hulk clips on YouTube prior to seeing the film, especially because there were no shots of Hulk in the trailers. Yes, Hulk has his shit together in this one. He wears glasses, he’s not rampaging, and he talks just like Mark Ruffalo. I miss seeing Hulk really let loose, but I have to say the CGI on Hulk (and Thanos) were once again state of the art. Just a reminder to Marvel – people love Hulk because Hulk smashes.
Remember when Captain America makes Thor’s hammer move in Age of Ultron? Well, that was no fluke. Cap commands the hammer like he’s been swinging it his whole life. I guess he is worthy after all. Bonus spoiler: Old Steve Rogers at the end of the film is probably the best old man make-up you’ve ever seen.
Which leads us to one of the films missteps. Five years after The Snappening, Thor has gained fifty pounds, a drinking problem, and a bad fake beard. It’s kinda funny, until you realize this guy is a God who has already seen some shit – including the death of just about every Asgardian. Funny? Sure, but a little silly for a movie that already set a tone of sadness.
Death of Black Widow
This was a surprise – especially since I thought they were doing a TV series. I guess that will be a prequel series? The scene between Black Widow and Hawkeye trying to sacrifice themselves before the other can is good stuff – and probably a lot cheaper to film than most of the rest movie. Now let’s put Red Skull to better use, shall we?
Death of Iron Man
Some say there wasn’t a dry eye in the house. Except mine because (spoiler alert) Robert Downey Jr. is just an actor pretending to be a comic book character that dies. You can’t fool me, movie! But in a world where it seems almost anyone can come back from the dead, who knows what the future holds for Tony Stark. Wouldn’t surprise me if he returned as some sort of hologram like Frank Zappa. No one gets that reference.
Chadwick Boseman Forever!!
It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (It’s the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)
Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve I’m certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.
Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.
Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which T’challa championed, represented and aptly responded “Oh hell Nah Karen!”
If you don’t understand the relevance of representation, it’s probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.
R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.
The Mandalorian Gets Star Wars Right
Star Wars is pretty silly, and that’s okay. If we want Shakespeare, we already have it. I don’t expect some fantasy silliness to ever take the place of nutritious art. Still, I like candy, too, and that’s what we get from those films whittled from the paper-thin mythologies of the original.
Enter The Mandalorian, like some nameless Sergio Leone anti-hero through a planked saloon door, stopping the piano player and all conversation in its tracks. There’s a stranger in town. Could be Clint Eastwood, could be Charles Bronson. In this case, it’s Pedro Pascal, a Chilean actor best known for Game of Thrones and Narcos. You’d never know it, though, since as of episode 7 we’ve yet to see “Mando” sans helmet. This only adds to a coolness originally displayed by another famous Mandalorian, Boba Fett. Boba actually debuted between Star Wars and The Empire Strikes Back in a hastily produced Christmas cartoon.
Not everyone likes it when silly wants to be taken seriously. Still, there’s a way to do it that’s not as jarring as Adam West v. Christian Bale.
Jon Favreau, whose Iron Man truly kicked off the Marvel Cinematic Universe, acts as executive producer and showrunner of The Mandalorian, and he knows just how to balance the whole thing with an aesthetic more Alex Ross than Jack Kirby. As head writer, Favreau successfully walks that tightrope between nostalgia and the now. He tempers seriousness with one of the most adorable little puppets you ever did see. I’m talking about “The Child,” better known via recent memes as “Baby Yoda.” In the same way that the Mandalorian isn’t Boba Fett, the Child isn’t Yoda – yet both have those original characters baked into their DNA.
At 15 million clams an episode, you get some excellent production value. Cinematography, music, and special effects are all on point, as are cameos from the likes of Amy Sedaris, Bill Burr, Werner Herzog, Nick Nolte, Carl Weathers, Giancarlo Esposito, and Taika Waititi. Waititi also directed the final episode of Season 1, to be released December 27th.
The Mandalorian may be the best byproduct of the original series. Check it out on Disney+.
Aaron Paul Breaks Bad Once Again
Vince Gilligan brings us the further adventures of Jesse Pinkman as only he can, and the results are pretty entertaining.
Released on Netflix and in theaters on Friday, El Camino: A Breaking Bad Movie steps back and forward in time to resolve Pinkman’s story in two tension packed hours. Thankfully, Gilligan doesn’t bite off more than he can chew, and manages to pack more action into this story than in four frickin’ seasons of Better Call Saul.
You know that feeling you get when an episode of Saul ends and you feel like you’ve just been tricked into watching lawyers talking for an hour? You won’t have that with El Camino.
Now, if they could just spin off Jonathan Banks the same way.
Some familiar faces show up here and there, and they thankfully don’t chew up too much of the scenery. Worth noting that Robert Forster does a fine job in El Camino, and he unfortunately passed away the day the film was released. Peace out, Mr. Forster.