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Pixies Mix Old & New on Latest Record



head_carrier_pixiesHead Carrier
2016 – Pixiesmusic

Pixies fans are tired of hearing the band’s history at the start of every article. Lets get to the meat. Did they make a record worthy of their catalog? In a word: Yes.

Bassist Paz Lenchantin breathes new life into the band and her sexy fingerprints litter every track. That feminine counterpoint was missing on Indie Cindy, their last record and the first without former bassist Kim Deal. Whereas that album sounded like a sequel to 1991’s Trompe le Monde, this one dips 6 toes in the past and 4 in the future.

Did they make a record worthy of their catalog?

Pixies are the sum of their parts, but the major ingredient is Charles Thompson, aka Black Francis. That he doesn’t entirely eschew his solo personality (Frank Black) illustrates just how closely those personas are aligned. This is especially true on tracks like “Might As Well Be Gone” and “Classic Masher,” the latter borrowing from the Frank Black and the Catholic’s tune “If It Takes All Night,” if only subconsciously.

You can hear that old Pixies magic in the screamfest “Baal’s Back,” in the rusty fervor of “Um Chagga Lagga,” and in the airy snap of “Oona.” There are interludes in “Talent” and “Tenement Song” that feel happily like Bossanova, their 1990 classic. And yes, the opening riff of “All I Think About Now” is literally “Where is My Mind” re-imagined, totally apropos for a love song to former bassist Deal, and sung by Paz. It’s uncharacteristicly naked and sentimental. If you don’t get goosebumps, you don’t love Pixies.

And then there are songs that hint at something new. Take “Bel Esprit,” where Black duets with Paz against a California chorus unlike any in the Pixies catalog. Same for “Plaster of Paris,” a short earworm that points to a band having a good time despite calls to revisit their early sound.

The final track “All the Saints” sounds like Doolittle era surf, ending the record with one foot in the past and the other in a beautiful future. I’m on board.

Head Carrier comes out Friday.

Track Listing

1. “Head Carrier” 3:36
2. “Classic Masher” 2:37
3. “Baal’s Back” 1:54
4. “Might as Well Be Gone” 2:48
5. “Oona” 3:38
6. “Talent” 2:12
7. “Tenement Song” 2:57
8. “Bel Esprit” 3:12
9. “All I Think About Now” 3:07
10. “Um Chagga Lagga” 3:00
11. “Plaster of Paris” 2:06
12. “All the Saints” 2:41



Janita – Three Songs She’d Love to Have Written



Janita’s newest album Here Be Dragons is another in a progression of finely crafted hymns for the empowered. Whether by love, as in the silky “I Do,” or by subverting expectations, in the Beatlesesque “Not What You’re Used To,” Janita draws on lessons learned during a positively unique career that spans decades and continents. We caught up with Janita on the heels of her latest single “When It’s All Up To You” to find out three songs she’d love to have written.

Elliott Smith — “L.A.” 

This is one of my favorite songs by Elliott Smith. I listened to the full album Figure 8 a lot while I was writing the songs on my new album, and it was a huge influence on me both melodically and lyrically. This song in particular has also informed some of the production choices we made later, like the heavier guitars you hear on my song “Not What You’re Used To.”

“L.A.” is incredibly melodic, but there’s an elusive, haunting quality to it. It feels like you’re always trying to reach it, catch up to it somehow. The backing vocals accentuate that feeling. In my mind, the song paints such a vivid picture of the ephemeral, fickle nature of L.A., and the similarly transient nature of the main character. Elliott Smith himself? I don’t know exactly how he does (did) it, but I’m certainly in awe of it.

Radiohead — “There There”

So hypnotic. So badass. Could the production possibly be any cooler? The melody is intricate and beautiful, and I can relate to the lyric from every which angle: as the singer, as the one being sung to, and whether in love relationships, friendships, or with total strangers. The subject matter simply comes up in life in so many ways all the time… I recently tried to express similar notions as I was writing a song, only to remember that it was already done here perfectly. Goddammit.

Punch Brothers — “Julep”

This song is simply magical to me. It’s made me bawl my eyes out at a Punch Brothers concert two separate times. It’s like that viral video that was circulating some years ago of a baby moved to tears when her mom sings a sad tune. I’m that baby when it comes to this song. It simply hits some sort of primal button in me and keeps pressing it until the very end.

While you’re at it, check out Janita’s video for “Digging in the Dirt,” a funky and faithful rendition of the Peter Gabriel classic.

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New Music – Bachelor



Jay Som’s Melina Duterte and Palehound’s Ellen Kempner join forces as Bachelor – a musical powerhouse whose new record Doomin’ Sun drops May 28th on Polyvinyl.

Kemper and Duterter recorded the album during two weeks of mutual appreciation in California. Three visceral singles have been released in the lead-up, including the Pixies-flavored “Stay in the Car” and the sprawling “Anything At All.”

Bachelor has also announced the Doomin’ Sun Fest, a one-day livestream featuring Tegan & Sara, Courtney Barnett, Adrianne Lenker, Jeff Tweedy, Japanese Breakfast, Julien Baker, and more.

Doomin Sun Fest

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Self-Serving Interview with Electronic Device Does Little to Advance Musician’s Career



Two men that look suspiciously alike meet outside a fictitious Brooklyn hot-spot – six feet apart.

MC Krispy E: Very nice to meet you. (squints) Have we met before?

Electronic Device: Maybe?

MC Krispy E: Is the rest of the band joining us?

Electronic Device: (pause) I am the rest of the band.

MC Krispy E: You are Electronic Device? What’s that about?

Electronic Device: Uhm, yeah, it’s like a pen name. You know what that is, right?

MC Krispy E: I have some idea.

Electronic Device: It was actually the name of one of my dad’s companies back in the day before…

MC Krispy E: (looking at his watch) Wonderful. So… it says here you have a new single called “All Things Come to an End” inspired by the death of your brother.

Electronic Device: Yeah, after my brother died I recorded songs as a form of therapy in his old bedroom in Staten Island.

MC Krispy E: And now I read that you have cancer. Am I supposed to feel extra sorry for you?

Electronic Device: Uhm…

MC Krispy E: It sounds like this album is going to be super depressing.

Electronic Device: It’s not, I swear. I was looking for some happiness while recording these songs, there’s not much of an agenda beyond that.

MC Krispy E: What kind of music is it?

Electronic Device: I wasn’t really thinking about influences while recording, but listening back I hear some Concrete Blonde, some Cracker.

MC Krispy: So bands no one is interested in?

Electronic Device: What the hell, man?

MC Krispy: Sorry, it’s almost like I can’t help it.  What’s the single about?

Electronic Device: I hate saying what a song is about because everything is up for interpretation.

MC Krispy E: Humor us.

Electronic Device: I can say that “All Things Come to an End” has multiple narrators, some of which are unreliable.

MC Krispy E: (stares)

Electronic Device: And that one day I was at my Dad’s house and when I turned the corner into the hallway my Dad thought I was my brother for a moment, which was super sad because of course I couldn’t be.

MC Krispy E: And then you wrote a whole song about that.

Electronic Device: I guess so. When you put it that way…

MC Krispy E: (yawning) Tell us when the single come out.

Electronic Device: The single is out now. The album comes out in 2021.

MC Krispy E: Well, good for you. And good luck with that cancer thing.

Electronic Device: Yeah, you too.

MC Krispy E: Thanks. What?

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