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I Don’t Want To Be Black No Mo’

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You know, I’ve been in a tough predicament for a while now. Apparently, I’m black. Some of you may be wondering if this is a recent development but I can assure you I’ve been black my entire life (as far as I can remember). The problem with this, however, is being black in America and, especially as it relates to media choices, means you have to pick sides. Are you a Carlton Banks kind of Negus or a DMX kind of Negus? Do you champion all things ratchet or are you manicured, prim and proper? Will your boys in the hood ever accept your love for Nickelback or is N.W.A the only boy band allowed? Can Sam Sneed and Sam Smith occupy the same Ispace at the same Itime without spontaneous combustion? Is Kevin Hart too black? Is Hannibal Burres too white? More importantly, why should I have to choose sides? If being black means being bound to limited choices and having to defend them at all points in time then you know what, I don’t want to be black no more!

There are several slices of media carved out specifically for the African-American diaspora. We can all agree that certain programs and networks less obvious than BET target black viewers. Recent television shows like Power, Scandal, and Empire currently represent African-Americans on the small screen. And on the big screen, we dare not hope for an entire cast for, like a mulatto child, all that is required to be considered “black” is one drop of negro blood, or in Hollywood’s case, one prominent Af-Am actor (Insert Will Smith, Denzel or Samuel L. Jackson here.)

Get-Hard-Poster-3Here’s the thing; I don’t watch or particularly care for most things deemed acceptable for blacks. I also do not appreciate the gasps of disbelief when I publicly decree my abstinence. It’s completely racist to expect me to like something simply because a black face is attached. What’s more disconcerting is that it’s mostly black people who can’t believe I don’t ascribe. Most whites on the east coast aren’t blissfully ignorant enough to make an incendiary statement like “YOU DON’T WATCH SCANDAL!?!?” for they would immediately realize how racist their assumptions were (especially after I immediately asked how the last Klan meeting went.) So is it any less ignorant when the question comes from a black person?

Growing up in a household with my mom singing church hymns in Latin and Fela Kuti in Igbo, my Dad jamming out to Bob Marley and Jimmy Cliff, and sharing a room with my older brother who lived and breathed New Wave (Depeche Mode) and Classic Rock (Pink Floyd), hip hop did not seem the most likely genre for me. I also had no clue that I would be defined by the type of music I consumed. Low and behold, both occurred. But as stated, because I grew up around such diverse tastes and all under the same roof, I never made the assumption that all black people had a particular affinity for any one specific thing.pink wall

Although I love all things basketball and live and breathe hip hop, Tyler Perry is my mortal enemy, more than one piece of fried chicken makes me nauseous, and Alex Trebek is my best friend (What is; I’ll whoop anybody’s ass in Jeopardy for $200 Alex?) I could easily drone on about all the things that make me un-stereotypically black but you get the jist. We should all be past the point where we are personality profiled then pigeonholed into finite demographics based on skin color. I don’t know about you but the Nielsen Ratings would have one hell of a time trying to validate my blackness according to viewing preference.

  • 7:00 pm – Jeopardy
  • 8:00 pm – Family Guy
  • 10:00 pm – Discovery Channel
  • 11:00pm – Comedy Central

Trebek

SideBar: When I argue about Eminem having a leg up on his black hip-hop counterparts, I am viewed as a 3 headed monster. My viewpoint is simple; he can rap about anything without fear of repercussion. This invariably increases potential subject matter and overall dynamic. He doesn’t have to remain “street” in order to be credible. He also doesn’t have to be stereotypically “white” (whatever the hell that means) to receive the accolades of white fans. He just has to be good. Sidebar Complete.

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Writing Your First Book / Should I Self Publish?

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I had the distinct pleasure of  participating in a panel discussion on writing your first book, presented by the Harlem chapter of Alpha Phi Alpha Fraternity Inc.  Alongside Jim St. Germain, Author – A Stone of Hope: A Memoir and Dr. Keneshia Nicole Grant, Author – The Great Migration and the Democratic Party: Black Voters and the Realignment of American Politics in the 20th Century.  We opined on pain points, benefits and strategies regarding our inaugural voyages into authorship. Feel free to watch for your self and I hope this provides some insight to all those looking to make the same voyage. Enjoy!

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Chadwick Boseman Forever!!

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It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (It’s the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)

Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve I’m certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.

Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.

Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which T’challa championed, represented and aptly responded “Oh hell Nah Karen!”

If you don’t understand the relevance of representation, it’s probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.

R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.

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10 Easter Eggs of Segregation in Lovecraft Country Episode 1

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We’re all familiar with movies hiding easter eggs throughout their films sending winks and nods to pop-culture references. Sometimes it will be a tip-of-the-cap to an author, actor, or creator. Sometimes it is paying homage to an inspiring series, book, or film that’s near and dear to the director’s heart. This week I’ve seen a first. A T.V. series that has several easter eggs depicting segregation and oppression that only eagle-eyed aficionado’s of the black struggle might have caught on to.

Lovecraft Country is littered with important details that would fly over many people’s heads, and as I watched it again, I caught more nods to the true oppression of many African-Americans during the post-World War II era.

As a film buff, nothing makes me happier than watching a review, breakdown, or hidden easter egg video on a TV show I enjoy. Yesterday I did the same with Lovecraft Country, and while many of the melanin-deficient reviewers on youtube touched on the themes of literature, horror, and fantasy, many understandably missed some of the most important historical references.

Here are 10 Easter Eggs of Segregation in Lovecraft Country Episode 1.

 

1. H.P. Lovecraft’s little poem.

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While we all know H.P. Lovecraft as an innovator of modern horror, fiction, and fantasy in literature, many people (including myself) didn’t know about a poem he wrote that spoke horribly about African Americans. Lovecraft Country alludes to the poem, but never recites it. Once they mentioned the title, I went straight to my Google Search. Below is the poem called: On the Creation of N*****s (1912)

When, long ago, the gods created Earth
In Jove’s fair image Man was shaped at birth.
The beasts for lesser parts were next designed;
Yet were they too remote from humankind.
To fill the gap, and join the rest to Man,
Th’Olympian host conceived a clever plan.
A beast they wrought, in semi-human figure,
Filled it with vice, and called the thing a N****r.

I’m sure Jackie Robinson beating the S**T out of Cthulhu at the beginning of the episode was a collective middle finger from the black community to Mr. Lovecraft.

2. Seating for Black People

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Scene from episode 1

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Actual photo of a segregated bus

While this may not come as a surprise to many of you, a lot of people are ignorant to the fact that, yes, black people were made to sit in the back of the bus. Many know the story of Rosa Parks’ defining moment, but for decades this was the way of life for black people. Where insult to injury is predicated in the show is when the bus breaks down and the bus driver gets a local pick-up truck driver to ride the stranded passengers into the city. Immediately in the next scene, the only two black passengers were seen walking down the road into Chicago.

3. Propaganda for the Negro Soldier

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In Lovecraft Country, the above poster is not shown in this episode, but instead, it’s a black soldier telling other young black men that if they enlist, they can see the world. While Atticus walks by the soldier, there’s a glance of recognition as if Atticus was once one of those impressionable young men, and he knows their being lied to. Black men had to be enticed to enlist by different methods than whites because it was hard to show patriotism to a country that still to that day had kept them oppressed. So, they would show a poster of Joe Louis joining the fight…why don’t you? Get to see the world! Little did they know seeing the world would involve PTSD, death, and despair.

4. The Negro Motorist Greenbook

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Scene from episode 1 depiction of the Green-Book

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Actual Green-Book

The synopsis according to IMDB.com is: “Lovecraft Country follows Atticus Black as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father.” While this is true, it’s not the whole story. Why are they embarking on this trip? It’s to help update what many people may know as, The Negro Motorist Greenbook. Yup, just like the movie, The Greenbook. If you don’t know, this book was originated by Victor Hugo Green as a travel bible for African Americans. It provided details of safe roads to travel, places for food, repairs, and lodging where they wouldn’t be turned away or even worse, assaulted.

5. James Baldwin’s monologue on racial divide

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During one of the scenes in Lovecraft Country, we see a montage of our protagonist’s road trip. In the montage we see different moments where they face discrimination, others facing discrimination, and the hardships of ignorant people with all the privilege in the world monopolizing on their entitlements. Usually, during movie montages, a composer would play a score to envoke emotions during the collection of scenes. Lovecraft Country went in a different direction. Instead, they played the monologue of James Baldwin’s renowned speech at Cambridge University where he debated with William Buckley on the subject of the United States racial divide. James Baldwin was a brilliant playwright, novelist, speaker, and activist that eloquently described the plight of the black man as it still stands today. Merged with the scenes during the montage, it speaks volumes about the state of America.

6. Ice Cream stand Scene

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Scene from episode 1

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Gordon Sparks photograph

In one of the scenes in the montage, we see a black man and his children waiting at an ice cream stand for service. Right over them is a sign that says “colored” and on the other side of the stand is a group of white people with ice cream being tended to by the servers. This scene looked extremely familiar to me. When I did some research, I realized this scene was based on a famous photograph by Gordon Parks, photographer and journalist who well-documented scenes of the segregation and civil rights era. Years ago I saw his work in its full brilliant quality at the High Museum in Atlanta. The color and detail brought a realism that a black-and-white photo could never do. It made this a real thing.

7. Mother and daughter under the neon sign

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Scene from episode 1

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Actual photo

This scene once again pays homage to another photograph by Gordon Parks. A mother and her daughter dressed elegantly as if they were going to church, standing under a large neon sign that says ‘Colored Entrance’.

8. The billboard across from the gas station

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Scene from episode 1

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Advertisement the billboard is based on

While Atticus and company are at a gas station filling up their car, they are approached by a gas station attendant pretending to be a gorilla to mock them. Leticia holds Atticus back from approaching the man as the attendant intensifies his ignorant behavior and she forces Atticus into the car. As they pull off, you can see a Billboard for Aunt Jemima in the background. Aunt Jemima has always been a misrepresentation of black culture through the lens of the white man and advertised to his fellow man as the overall perception of black people. The image of  Aunt Jemima is a source reflection of the learned behavior of the gas station attendant.

9. Sundown towns

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Scene from episode 1

Two years ago was the first time I’ve ever heard of a Sundown Town. No, not through a history book, but as a warning about staying too late in a little town in Texas that exists today! If I didn’t hear about this first hand, I would’ve thought it was a theme of the past, but no. There are currently county’s that do not condemn the abuse of black people once the sun goes down! While the billboard here might be a relic from the past, Sundown Towns are definitely alive and well across America!

10. White walls

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Scene from episode 1

Not only is this one telling, but it also holds all kinds of subliminal messages. While the group finds a Green book safe haven for dining called Lydia’s, they are surprised to find the restaurant is now called, Simmonsville Dinette. Still, they walk in and are greeted by unwelcoming faces. While the server goes to the back for what seems like their coffee orders, Atticus realizes that the walls are painted white. He asks his uncle to remind him why the white house was white. His uncle tells him about the war of 1812 when British soldiers torched it and when slaves were tasked to rebuild it, they had to paint it white to cover up the burn marks. This tells us two things. Lydia’s restaurant was burnt down and rebuilt by trespassers (obviously for being a safe haven for blacks in this all-white town) and the blackness of this restaurant was erased and covered up by the ‘white’ paint. My goodness, I could go on and on about this one!

I was expecting this series to be littered with easter eggs, but knowing they have incorporated easter eggs specifically about the black movement and struggles has me fired up to see what else is in store for these characters. Did you see any easter eggs that I missed? Comment and let me know.

 

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