Connect with us

Entertainment

5 Reasons You Must Watch: Mad Max: Fury Road

Published

on

Mad Max: Fury Road
Rating: R (for intense sequences of violence throughout and for disturbing images)
Genre: Action & Adventure, Fantasy, Horror
Directed By: George Miller
In Theaters: May 15, 2015
Starring: Tom Hardy, Charlize Theron, Zoe Kravitz, Nicholas Hoult, Hugh Keays-Byrne, Josh Helman, Nathan Jones, Rosie Huntington-Whiteley
Official Synopsis: Though determined to wander the post-apocalyptic wasteland alone, Mad Max (Tom Hardy) joins Furiosa (Charlize Theron), a fugitive Imperator, and her band who are all trying to escape a savage warlord.

MadMax_Final_5

5. The Visuals : Eye Candy

With a reported 150 million dollar budget and about 2 years in post production, you would hope you can see the money onscreen. I could say easily that from the very first trailer, this movie looks beautiful. Shot with a variety of drone mounted cameras by a crew of more than 1,000, Miller captures road carnage like we have never seen on film before. The villain and his crew chase Max and company in real 18-wheelers and monster trucks through sand storms and bullets in the Namibian desert, which stands in for the Australian outback of the originals. Instead of green screen and CGI we get real practical effects with cleaned up visuals that enhance the exploding metal and flying sand. Rarely do we get to see a film tell it’s story with visuals in place of dialogue. Instead of writing a screenplay, Miller created 1,465 storyboards with artist Mark Sexton. Miller sat down with VFX, special effects, production design, and producers to bring his vision to life over a period of time that few film productions ever get without being shelved and scheduled for failure. You can see it in every frame. This will definitely be a launching pad for more sequels if it can make back its huge budget. Hopefully that wont take another 30 years.

4. The Story : The Wives Vs. The War Boys

Miller could have followed the formula of retelling the same story over again in this reboot, but I hope Hollywood pays attention to how old ideas we love can be renewed. Assume your audience is not dumb and can rent the original movie to experience that story. Establish a new hero in a fully fleshed-out world and let the actors do their thing. In Fury Road we get a deep glimpse into post-apocalyptic life that’s so ugly and detailed it becomes beautiful! The villain Immortan Joe (Hugh Keays-Byrne) is trying to extend his bloodline with the few uncontaminated women left in the world. His wives are Toast the Knowing (Zoe Kravitz), The Splendid Angharad (Rosie Huntington-Whitely), Capable (Riley Keough), Cheedo the Fragile (Courtney Eaton), and The Dag (Abbey Lee). Furiosa (Theron) uses a gasoline run to smuggle Immortan Joe’s “wives” out of his settlement in an armed-to-the-teeth tanker truck. When Joe realizes what’s happened he orders the death loving War Boys to reclaim his “property.” What follows is two hours of whats being called the most spectacular car chase ever filmed.

3. The Hero : Tom Hardy As Mad Max

Tom Hardy takes over for Mel Gibson so effortlessly that his performance seems like a given. Of the three originals, The Road Warrior captured the feel I was looking for as a fan – with Gibson barely uttering a word through the whole movie. Like Gibson before him, Hardy does most of his talking with a glance. When he does speak, it has the weight and gravitas of a man that drinks sand for breakfast. Max is already alone and in survival mode when the story begins. Imprisoned by the coke-white War Boy Nux (Nicholas Hoult), he’s branded and made a permanent blood donor. Hardy has the look down, too, physically strong and capable of fighting off the mad men trying so desperately to end him in this movie.

2. The Performance : Charlize Theron

Charlize Theron as Imperator Furiosa is a surprise for most. Face it, women don’t get great roles in action movies. Anyone familiar with this talented lady’s career knows she can do it all. Her Oscar winning performance in 2003 Monster gave us a taste of some unique talent to go along with her stunning South African looks. In Mad Max: Fury Road she is the major pillar of the movie, and if rumors are true could be the main focal point of another sequel. Critics are raving about her performance and are predicting awards in the very near future.

1. The Director : George Miller

George Miller first visited this bleak landscape in 1979’s Mad Max. That movie was a post­-apocalyptic glimpse into the mind of a visionary Director. Playing the wronged cop from down under propelled Mel Gibson into an entire action career. Its sequels, Mad Max 2: The Road Warrior (1981) and Mad Max Beyond Thunderdome (1985), are the foundations for high-speed action and car blazing cinema. It’s truly justice that Miller, now 70, has returned to show us how it should be done. The visual opposite of CGI heavy nonsense like Furious 7, Miller has taken what could have easily been a career ending disaster and made it a masterpiece instead. Like Francis Ford Coppola’s Apocalypse Now – another film that could easily have been a total disaster – Miller has pushed his vision so far over the edge as to create a new blueprint for what the modern action movie can be.

Article

Writing Your First Book / Should I Self Publish?

Published

on

 

I had the distinct pleasure of  participating in a panel discussion on writing your first book, presented by the Harlem chapter of Alpha Phi Alpha Fraternity Inc.  Alongside Jim St. Germain, Author – A Stone of Hope: A Memoir and Dr. Keneshia Nicole Grant, Author – The Great Migration and the Democratic Party: Black Voters and the Realignment of American Politics in the 20th Century.  We opined on pain points, benefits and strategies regarding our inaugural voyages into authorship. Feel free to watch for your self and I hope this provides some insight to all those looking to make the same voyage. Enjoy!

Continue Reading

Article

Chadwick Boseman Forever!!

Published

on

It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (It’s the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)

Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve I’m certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.

Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.

Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which T’challa championed, represented and aptly responded “Oh hell Nah Karen!”

If you don’t understand the relevance of representation, it’s probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.

R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.

Continue Reading

Article

10 Easter Eggs of Segregation in Lovecraft Country Episode 1

Published

on

We’re all familiar with movies hiding easter eggs throughout their films sending winks and nods to pop-culture references. Sometimes it will be a tip-of-the-cap to an author, actor, or creator. Sometimes it is paying homage to an inspiring series, book, or film that’s near and dear to the director’s heart. This week I’ve seen a first. A T.V. series that has several easter eggs depicting segregation and oppression that only eagle-eyed aficionado’s of the black struggle might have caught on to.

Lovecraft Country is littered with important details that would fly over many people’s heads, and as I watched it again, I caught more nods to the true oppression of many African-Americans during the post-World War II era.

As a film buff, nothing makes me happier than watching a review, breakdown, or hidden easter egg video on a TV show I enjoy. Yesterday I did the same with Lovecraft Country, and while many of the melanin-deficient reviewers on youtube touched on the themes of literature, horror, and fantasy, many understandably missed some of the most important historical references.

Here are 10 Easter Eggs of Segregation in Lovecraft Country Episode 1.

 

1. H.P. Lovecraft’s little poem.

Screenshot_20200818-193000_Chrome

While we all know H.P. Lovecraft as an innovator of modern horror, fiction, and fantasy in literature, many people (including myself) didn’t know about a poem he wrote that spoke horribly about African Americans. Lovecraft Country alludes to the poem, but never recites it. Once they mentioned the title, I went straight to my Google Search. Below is the poem called: On the Creation of N*****s (1912)

When, long ago, the gods created Earth
In Jove’s fair image Man was shaped at birth.
The beasts for lesser parts were next designed;
Yet were they too remote from humankind.
To fill the gap, and join the rest to Man,
Th’Olympian host conceived a clever plan.
A beast they wrought, in semi-human figure,
Filled it with vice, and called the thing a N****r.

I’m sure Jackie Robinson beating the S**T out of Cthulhu at the beginning of the episode was a collective middle finger from the black community to Mr. Lovecraft.

2. Seating for Black People

20200818_194443

Scene from episode 1

20200818_210628

Actual photo of a segregated bus

While this may not come as a surprise to many of you, a lot of people are ignorant to the fact that, yes, black people were made to sit in the back of the bus. Many know the story of Rosa Parks’ defining moment, but for decades this was the way of life for black people. Where insult to injury is predicated in the show is when the bus breaks down and the bus driver gets a local pick-up truck driver to ride the stranded passengers into the city. Immediately in the next scene, the only two black passengers were seen walking down the road into Chicago.

3. Propaganda for the Negro Soldier

20200818_142507

20200818_210822

In Lovecraft Country, the above poster is not shown in this episode, but instead, it’s a black soldier telling other young black men that if they enlist, they can see the world. While Atticus walks by the soldier, there’s a glance of recognition as if Atticus was once one of those impressionable young men, and he knows their being lied to. Black men had to be enticed to enlist by different methods than whites because it was hard to show patriotism to a country that still to that day had kept them oppressed. So, they would show a poster of Joe Louis joining the fight
why don’t you? Get to see the world! Little did they know seeing the world would involve PTSD, death, and despair.

4. The Negro Motorist Greenbook

20200818_142938

Scene from episode 1 depiction of the Green-Book

20200818_194752

Actual Green-Book

The synopsis according to IMDB.com is: “Lovecraft Country follows Atticus Black as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father.” While this is true, it’s not the whole story. Why are they embarking on this trip? It’s to help update what many people may know as, The Negro Motorist Greenbook. Yup, just like the movie, The Greenbook. If you don’t know, this book was originated by Victor Hugo Green as a travel bible for African Americans. It provided details of safe roads to travel, places for food, repairs, and lodging where they wouldn’t be turned away or even worse, assaulted.

5. James Baldwin’s monologue on racial divide

Screenshot_20200818-193131_Chrome

During one of the scenes in Lovecraft Country, we see a montage of our protagonist’s road trip. In the montage we see different moments where they face discrimination, others facing discrimination, and the hardships of ignorant people with all the privilege in the world monopolizing on their entitlements. Usually, during movie montages, a composer would play a score to envoke emotions during the collection of scenes. Lovecraft Country went in a different direction. Instead, they played the monologue of James Baldwin’s renowned speech at Cambridge University where he debated with William Buckley on the subject of the United States racial divide. James Baldwin was a brilliant playwright, novelist, speaker, and activist that eloquently described the plight of the black man as it still stands today. Merged with the scenes during the montage, it speaks volumes about the state of America.

6. Ice Cream stand Scene

20200818_144755

Scene from episode 1

Screenshot_20200818-144718_Google

Gordon Sparks photograph

In one of the scenes in the montage, we see a black man and his children waiting at an ice cream stand for service. Right over them is a sign that says “colored” and on the other side of the stand is a group of white people with ice cream being tended to by the servers. This scene looked extremely familiar to me. When I did some research, I realized this scene was based on a famous photograph by Gordon Parks, photographer and journalist who well-documented scenes of the segregation and civil rights era. Years ago I saw his work in its full brilliant quality at the High Museum in Atlanta. The color and detail brought a realism that a black-and-white photo could never do. It made this a real thing.

7. Mother and daughter under the neon sign

20200818_144845

Scene from episode 1

20200818_144910

Actual photo

This scene once again pays homage to another photograph by Gordon Parks. A mother and her daughter dressed elegantly as if they were going to church, standing under a large neon sign that says ‘Colored Entrance’.

8. The billboard across from the gas station

20200818_194530

Scene from episode 1

Screenshot_20200818-145138_Google

Advertisement the billboard is based on

While Atticus and company are at a gas station filling up their car, they are approached by a gas station attendant pretending to be a gorilla to mock them. Leticia holds Atticus back from approaching the man as the attendant intensifies his ignorant behavior and she forces Atticus into the car. As they pull off, you can see a Billboard for Aunt Jemima in the background. Aunt Jemima has always been a misrepresentation of black culture through the lens of the white man and advertised to his fellow man as the overall perception of black people. The image of  Aunt Jemima is a source reflection of the learned behavior of the gas station attendant.

9. Sundown towns

20200818_144823

Scene from episode 1

Two years ago was the first time I’ve ever heard of a Sundown Town. No, not through a history book, but as a warning about staying too late in a little town in Texas that exists today! If I didn’t hear about this first hand, I would’ve thought it was a theme of the past, but no. There are currently county’s that do not condemn the abuse of black people once the sun goes down! While the billboard here might be a relic from the past, Sundown Towns are definitely alive and well across America!

10. White walls

20200818_143820

Scene from episode 1

Not only is this one telling, but it also holds all kinds of subliminal messages. While the group finds a Green book safe haven for dining called Lydia’s, they are surprised to find the restaurant is now called, Simmonsville Dinette. Still, they walk in and are greeted by unwelcoming faces. While the server goes to the back for what seems like their coffee orders, Atticus realizes that the walls are painted white. He asks his uncle to remind him why the white house was white. His uncle tells him about the war of 1812 when British soldiers torched it and when slaves were tasked to rebuild it, they had to paint it white to cover up the burn marks. This tells us two things. Lydia’s restaurant was burnt down and rebuilt by trespassers (obviously for being a safe haven for blacks in this all-white town) and the blackness of this restaurant was erased and covered up by the ‘white’ paint. My goodness, I could go on and on about this one!

I was expecting this series to be littered with easter eggs, but knowing they have incorporated easter eggs specifically about the black movement and struggles has me fired up to see what else is in store for these characters. Did you see any easter eggs that I missed? Comment and let me know.

 

Continue Reading

Trending