After the matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets.
When I originally saw the trailer for this film I knew what to expect. This wasn’t going to be the run-of-the-mill horror movie that would rely on underdeveloped characters and cheap jump scares. This was going to be a horror thriller that would deal with family trauma and absolute weirdness. I hate to pat myself on the back, but I was right!
Hereditary deals with the downward spiral of a family and their tumultuous experiences after the death of their grandmother. They all try to cope with past and present events in their own way which ends up driving them further into a bizarre rabbit hole.
A lot of people loved the movie, but I have to admit I was split. The first, and probably biggest problem I had with the film was the continuous slow pace. I truly appreciate a movie that’s a slow burn because I understand the necessity to build up characters and/or an environment to help fully grasp the context of the story, but this was a bit too slow. Even when something major would happen, I expected the pace to pick up a little, but often it went back into the comforts of the slow burn. I found too much of a gap between the development of the story and actually seeing something happen.
“I found too much of a gap between the development of the story and actually seeing something happen.“
I will say there was some creepy and disturbing imagery in this film, and some things that transpired that I was actually shocked happened. I was completely caught off guard by a specific scene that I thought would be the catalyst for a very dark turn, and even though things did get bizarre, it did drag between these moments.
My favorite character was Charlie, the young teenager played by Milly Shapiro. She managed to tread the line between totally creepy kid, and someone that you actually felt sorry for. It was never exactly specified what was wrong with her, but it played an intricate part in her dichotomy.
Anything else I say will be diving too deep into the film so I will leave it at this.
Overall Grade: C+
I felt there were enough good elements for me not to hate it, but the slow movement was sometimes too damn cumbersome. Also, this movie will have you talking about it after. Most of it was piecing together some of the confusing symbolism, and the rest was trying to understand why certain things were being done. I feel that the general audience is going to enjoy those elements or are going to find it to be the most frustrating part of the movie. If you like the pace of Rosemary’s Baby or The Exorcist, you will love this. If you’re looking for The Conjuring or Annabelle, you probably won’t.
Mystery, Horror, Drama
Director: Ari Aster
Palm star Media
2 hours 7 minutes
IMDB reference click here
Netflix Hidden Gem : One of Us
Filmmakers Heidi Ewing and Rachel Grady give the Jesus Camp treatment to the Hasidic community in the excellent Netflix documentary One of Us. The film chronicles the lives of three ex-Hasidic Jews from Brooklyn who bravely stray from the flock to tell their stories of control, abuse and mis-education.
Top Five Avengers: Endgame Spoilers!
Marvel did an amazing job of keeping the best moments from Avengers: Endgame out of the trailer. Let us ruin that for you.
I was reading Avengers comics before you could chew solid food and I never dreamed they’d be able to bring a realistic Iron Man and Hulk to the silver screen. But by golly, they did. Avengers: Infinity War may be the best silver screen adaptation of comic lore ever put to film. So my hopes were high that Endgame would be more of the same, which it’s not – but that’s ok. It still has kick-ass moments and is better than anything DC can bring to life. Blame it on the tropes of time travel, or maybe all involved could have used a break between films. Regardless, there are some wonderful moments on screen and somehow the trailers told you next to nothing.
I admit I knew about this going in. Yes, I searched for Hulk clips on YouTube prior to seeing the film, especially because there were no shots of Hulk in the trailers. Yes, Hulk has his shit together in this one. He wears glasses, he’s not rampaging, and he talks just like Mark Ruffalo. I miss seeing Hulk really let loose, but I have to say the CGI on Hulk (and Thanos) were once again state of the art. Just a reminder to Marvel – people love Hulk because Hulk smashes.
Remember when Captain America makes Thor’s hammer move in Age of Ultron? Well, that was no fluke. Cap commands the hammer like he’s been swinging it his whole life. I guess he is worthy after all. Bonus spoiler: Old Steve Rogers at the end of the film is probably the best old man make-up you’ve ever seen.
Which leads us to one of the films missteps. Five years after The Snappening, Thor has gained fifty pounds, a drinking problem, and a bad fake beard. It’s kinda funny, until you realize this guy is a God who has already seen some shit – including the death of just about every Asgardian. Funny? Sure, but a little silly for a movie that already set a tone of sadness.
Death of Black Widow
This was a surprise – especially since I thought they were doing a TV series. I guess that will be a prequel series? The scene between Black Widow and Hawkeye trying to sacrifice themselves before the other can is good stuff – and probably a lot cheaper to film than most of the rest movie. Now let’s put Red Skull to better use, shall we?
Death of Iron Man
Some say there wasn’t a dry eye in the house. Except mine because (spoiler alert) Robert Downey Jr. is just an actor pretending to be a comic book character that dies. You can’t fool me, movie! But in a world where it seems almost anyone can come back from the dead, who knows what the future holds for Tony Stark. Wouldn’t surprise me if he returned as some sort of hologram like Frank Zappa. No one gets that reference.
Daniel Ortiz Rants On: Us
A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.
Rarely do I prepare myself to see a film, but Jordan Peele’s Us is one of those rare movies I didn’t need to see more than one trailer for, nor did I need the hype of other critics. I also wanted to judge this film off its own merit rather than comparing it to his freshman standout, Get Out (which made my #1 film of 2017). Comparisons will be made, but I’ll try to keep them as minimal as possible.
The stand out feature is that this film is beautifully shot. The cinematography of this movie adapts to its environment seamlessly whether it’s a vibrant beach scene or a dark setting where just enough of the characters faces needs to be made out.
Also, I thought Lupita Nyong’o as Adelaide’s doppelganger, Red was a terrifying character. Everything from her awkward pantomimes to her unhinged voice was the thing of nightmares.
Now, there were a few (lots of) issues I did have with the film. I left the theater with more frustrating questions than fulfilling answers. It felt like too many ideas where in the plot and too much symbolism was forcefully wedged in to satisfy the expectations of the Get Out fans, but it came out as a jumbled mess of psychology that I didn’t want to spend my viewing time deciphering.
A lot of the horror that was built up for this film was also very deflating as the Wilson family was spared instant death and provided a background story by their doppleganger’s while others were swiftly killed before they knew what hit them. Halfway through the film, you pretty much knew they were safe from any death or violence which takes away all tension as a viewer.
The connection between the characters and their dopplegangers wasn’t fleshed out enough. Some things came off as inconsistent and driven for plot convenience, rather than a solution. I didn’t get many of the motivations and the decisions that drove the actions of our protagonists. I didn’t understand why the dopplegangers wore red jumpsuits and just one fingerless driving glove. The one symbolism I understood was the scissors, which if you look at the handle on the poster, looks like mirrored heads. This was the weapon used to cut the connection between themselves and their other half. Otherwise, I may need to see some other folks interpretations of the film.
Also, the editing was not good. There were scenes that were waaaay too long and could’ve used a few chops. The opening credit scene reminded me of an old horror movie from the 70’s (think the Amityville Horror ’79) where the title card has nothing going on, and as a viewer I felt stuck looking at a bunch of rabbits for what I assume was 3 minutes just waiting for the movie to get started.
Overall Grade: C-
There’s just too many questions, and too many inconsistencies to feel comfortable giving it anything higher. Maybe in the upcoming weeks certain plot revelations might come to fruition, but I’m not looking for Kubrick levels of hidden meaning, and this is not Kubrick-esque. I’ll chalk this up to a sophomore slump by Peele and the pressures of following up to such an acclaimed film. I just got hints of M. Night Shyamalan in this movie, meaning a Director/Writer who is owning a genre and gets type-casted to that medium. Let’s hope Jordan Peele doesn’t head down that same road.
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