“A former boxer-turned-drug runner lands in a prison battleground after a deal gets deadly.”
Earlier this year I was watching a panel of critics list their top ten favorite movies of 2017. Of course you had IT, Get Out and others that we heard many times over, but one of the critics was extremely excited about a movie called Brawl in Cell block 99.
He said it was Vince Vaughn like he’s never seen him before and he had an excitement about it that was quite unique to the other critic’s reactions. The rest of the panel brushed him off (obviously never seeing the movie), but his enthusiasm intrigued me. A month or so later I saw Amazon Prime had the film available, so I decided to watch it.
The film starts as a slow burn, really fleshing out Vaughn’s character and the circumstances rising within his life. It gives you a great introspection of the downward spiral he is going through within his career and marriage, but quickly reveals that he is a fixer. It also gives you a glimpse early into the rage this man holds inside that he has full control over. A rage you can see has gotten him in and out of a lot of situations prior to where the film started.
As he continues, you can see this isn’t Vince Vaughn from Wedding Crashers, Anchorman or The Intern. This is the dramatic Vince Vaughn we haven’t seen in a long time. Actually it was a new Vaughn. One that had gotten bigger and much more intimidating. The title may fool you a bit, but this film is about a man on a sound rampage.
He goes into prison during the latter part of the movie and when this happens, the film actually shifts a few notches within a matter of scenes. Facing a predicament that threatens his family, he is forced to do some extremely brutal acts with an unforgiving nature that makes you question what you’re watching.
This isn’t Vince Vaughn from Wedding Crashers, this is a new Vince Vaughn.
The beauty of the film is how his brutal nature is so violent and aggressive, but yet so controlled and calculated. It was almost poetic how his character managed to tread this line so effortlessly and with an unflinching understanding of using his force to get exactly what he wanted.
I will say that at times this movie does get into absurd levels of violence that reminded me of Quentin Tarantino’s direction in Inglorious Basterds or Django Unchained. It didn’t fit the flow of the rest of the movie, and took you out of it at moments, but the violence was like nothing I’ve ever seen before. Even though disjointed, I was willing to accept it because of the Director’s gall to inject that level of cartoonish antics into such brutality.
Overall Grade: B+
This film was a great watch. Vince Vaughn was definitely a beast and really took this part seriously. The dialogue and environment building is palpable and the threats are unimaginable. You actually begin to root for this brute force of nature to win as he continues to encounter further unthinkable challenges, and handles them with his three best weapons: His two hands and his mind. Watch it! It’s good!
Brawl in Cell Block 99
Crime, Drama
October 2017
Director: S. Craig Zahler
RLJE Films
2 hours 12 minutes IMDB reference click here
Godzilla vs. Kong reminds me that I was an idiot as a child. I allowed the 4:30 Movie too significant a piece of my brain pie. I existed in a headspace where The Planet of the Apes and Gamera were more science than fiction. I was certain skyscraper-sized monsters lived in the woods a few blocks away, and that ghosts were under my bed. Somewhere in possibility-land, a black and white Lon Chaney slowly becomes a werewolf in a handful of dissolving frames.
Cut to my final form, and I can’t help but think these movies are just a total waste of time and resources. Sure, the effects can be impressive but often they have as much weight as a video game. Buildings smash into dust, an actor says a line against a green screen, then Kong sits on a throne like a stereotypical king. Ah doi!
Sure, the hollow Earth with upside-down mountains in the sky is cool – but where’s that sun coming from? The MechaGodzilla fight has some great effects, but you can watch those on Youtube without having to sit through a bunch of lines like “Kong bows to no one.”
Maybe I just can’t enjoy normal human things anymore.
Summary: The epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against one another - the fearsome Godzilla and the mighty Kong - with humanity caught in the balance.
Countries: USA, Australia, Canada, IndiaLanguages: English, American Sign Language
Bucky Barnes will change his name to Summer Soldier Buckquan because “Nah son! we ain’t doing sh*t in the winter!”
Fearing for their lives, Police officers will fire 751 shots at Cap in the 4th of many incidents to come.
In a new altered timeline, Thanos will win due to Cap being detained by a routine traffic stop. “How can you afford Vibraniun on a government salary? Please step out of the vehicle sir.”
Captain America will form a Rap group with Black Panther called “Black-America.” The group will not be received well but will eventually have all their intellectual property stolen for decades to come without any due repar… I mean royalties. #MESSAGE
Racists will be utterly confused when they tell Captain America to “Go back to where you came from.” Equally confused, Cap will pack up all his belongings and stay put.
Cap will be accused of stealing Thor’s hammer the next time he picks it up.
Cap’s shield will be replaced with a Vibraniun PlayStation Controller since black men are more comfortable throwing that.
The battle decree will officially be changed from “Avengers Assemble” to “Yerrrrr! It’s on sight!”
After 40 years of service, Cap will travel back in time to 1998 to finally get that last dance with his true love, Laura Winslow. They will Cha Cha Slide to “Before I let Go” as the credits role.
Upon retirement, those jaded with having an Af-Am do such an amazing job will appoint a failed real estate charlatan to take up the mantle. The New Cap will immediately try and grab Scarlet by her “Johansson” and declare himself the best Captain America that ever did it during his inauguration.
It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (It’s the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)
Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve I’m certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.
Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.
Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which T’challa championed, represented and aptly responded “Oh hell Nah Karen!”
If you don’t understand the relevance of representation, it’s probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.
R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.