A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
Before I get into this review, lets talk briefly about The Conjuring cinematic universe. Now, the first Conjuring, I didn’t find it scary, but I did find it very entertaining. The second Conjuring I found to be pretty creepy. Both of these movies were directed by James Wan who also directed Insidious 1 & 2. When it comes to horror, some of his stories have continuity problems, and plot conveniences, but the man really knows how to utilize creepiness and maintain real and unexpected jump scares. It gets you invested in the movie based on fear alone. He’s so good at it, he was able to spawn spinoff films, first with the Annabelle series and now with The Nun.
The problem is that he doesn’t lend his directorial skills to these extended films, and well…they end up falling flat. I will give credit to Annabelle 2: Uprising (as I like to call it). It was better than the first one, but it was definitely no masterpiece.
Now with that brief history of the CCU (as I like to call it) out of the way, lets keep the critique of The Nun short and sweet. It was doo doo.
At the very least I assumed that the film would touch on some things that would play against my faith, but this felt like a story that even Catholics would say, “Dude, you guys have some great imaginations!” It felt entirely too tame, extremely predictable and the story was way too outlandish.
The characters were boring, bland and unforgettable. The demon nun was even boring and lacked a coherent or credible background story. It made me realize that you can take the same character, and one Director make magic it while the other makes smoke and mirrors.
Lets keep the critique of The Nun short and sweet. It was doo doo.
The jump-scares were literally stand-scares. I predicted every single moment that was supposed to be a, “catch you off guard” scare scene, and found myself highly annoyed by the trope of following an ambiguous figure pacing vigorously away from the main protagonists while the protagonist chased them down some dark corridor or smoky forest.
As usual, they try to tie this back to the original Conjuring movie, but it was weak, and you barely remember the original scene in the first place.
Overall Grade: D
It wasn’t good. That’s the end all of it. I would suggest staying home and re-watching The Conjuring 1 & 2. You will get much more out of watching these films. I would also suggest leaving these cinematic universes to Marvel and D.C……just Marvel.
Horror, Mystery, Thriller
Director: Corin Hardy
New Line Cinema
1 hour 36 minutes
IMDB reference click here
Daniel Ortiz Rants On: Us
A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.
Rarely do I prepare myself to see a film, but Jordan Peele’s Us is one of those rare movies I didn’t need to see more than one trailer for, nor did I need the hype of other critics. I also wanted to judge this film off its own merit rather than comparing it to his freshman standout, Get Out (which made my #1 film of 2017). Comparisons will be made, but I’ll try to keep them as minimal as possible.
The stand out feature is that this film is beautifully shot. The cinematography of this movie adapts to its environment seamlessly whether it’s a vibrant beach scene or a dark setting where just enough of the characters faces needs to be made out.
Also, I thought Lupita Nyong’o as Adelaide’s doppelganger, Red was a terrifying character. Everything from her awkward pantomimes to her unhinged voice was the thing of nightmares.
Now, there were a few (lots of) issues I did have with the film. I left the theater with more frustrating questions than fulfilling answers. It felt like too many ideas where in the plot and too much symbolism was forcefully wedged in to satisfy the expectations of the Get Out fans, but it came out as a jumbled mess of psychology that I didn’t want to spend my viewing time deciphering.
A lot of the horror that was built up for this film was also very deflating as the Wilson family was spared instant death and provided a background story by their doppleganger’s while others were swiftly killed before they knew what hit them. Halfway through the film, you pretty much knew they were safe from any death or violence which takes away all tension as a viewer.
The connection between the characters and their dopplegangers wasn’t fleshed out enough. Some things came off as inconsistent and driven for plot convenience, rather than a solution. I didn’t get many of the motivations and the decisions that drove the actions of our protagonists. I didn’t understand why the dopplegangers wore red jumpsuits and just one fingerless driving glove. The one symbolism I understood was the scissors, which if you look at the handle on the poster, looks like mirrored heads. This was the weapon used to cut the connection between themselves and their other half. Otherwise, I may need to see some other folks interpretations of the film.
Also, the editing was not good. There were scenes that were waaaay too long and could’ve used a few chops. The opening credit scene reminded me of an old horror movie from the 70’s (think the Amityville Horror ’79) where the title card has nothing going on, and as a viewer I felt stuck looking at a bunch of rabbits for what I assume was 3 minutes just waiting for the movie to get started.
Overall Grade: C-
There’s just too many questions, and too many inconsistencies to feel comfortable giving it anything higher. Maybe in the upcoming weeks certain plot revelations might come to fruition, but I’m not looking for Kubrick levels of hidden meaning, and this is not Kubrick-esque. I’ll chalk this up to a sophomore slump by Peele and the pressures of following up to such an acclaimed film. I just got hints of M. Night Shyamalan in this movie, meaning a Director/Writer who is owning a genre and gets type-casted to that medium. Let’s hope Jordan Peele doesn’t head down that same road.
5 Geek Chic Trailers for Your 4K TV
These luscious 4K trailers are in zippy 60fps for you VFX aficionados.
Alita: Battle Angel
Robert Rodriguez directs James Cameron‘s script melding state of the art effects with live action. We’ve come a long way since Who Framed Roger Rabbit?
Godzilla: King of the Monsters
Last stand-alone Godzilla movie before he kicks King Kong‘s ass in 2020. Epic visual effects create a scale worthy of your 4K TV.
This reboot has big red shoes to fill.
Men in Black 4
I admit the best thing about this trailer is seeing Tessa Thompson in high resolution. Am I allowed to say that? #toolate
They don’t give a lot away in the new Avengers trailer, but it sure looks purty.
White Right: Meeting the Enemy
Deeyah Khan puts herself in real jeopardy in White Right: Meeting the Enemy, confronting the whitest rightest supremacists and Neo-Nazis with the oldest trick in the book; she becomes their first friend of color. No shit. You’ll be amazed as Deeyah proves racism is born from miseducation and a total lack of experience. Sure, not everyone becomes a believer in the end, but you sure will.
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