“Ron Stallworth, an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate, who eventually becomes head of the local branch.”
Spike Lee’s work has always taken a unique look at the black perspective in America. His earlier works were filled with social commentary that tended to put a magnifying glass on the racial turmoil and bleakness of the black experience. He found a way to make humor out of every day circumstances, then blend it seamlessly with an overall message of human nature within race relations whether good or very bad.
Unfortunately, his later works have suffered a lack of that perfect blend.Ā They often shift tones so rapidly, his audience can’t comprehend what type of emotion to investment in. I feel that this film suffers from that extreme tone shift.
Not only does the story lack a certain cohesion, there wasn’t any true sense of danger the audience could feel the protagonists were in. The interpretation of the Klansmen was so inept, they failed to do simple things like search a new recruit for a wire or do a thorough background check. Now, I never want to give any credit to the KKK, but one would think a criminal organization such as this one would take the necessary measures to make sure their prospects were legit.
The acting was somewhat decent, but often the levels of racism seemed cartoonish and more ignorant than threatening. Even the character of Ron Stallworth came off as a 90’s black comedian impersonating a white man (even when he wasn’t on the phone). I don’t blame this on the actors but more on the direction.
The racism seemed cartoonish and more ignorant than threatening.
Spike Lee also added commentary in the middle and after the movie that was loosely related to the overall story and once again switch emotional tones between funny moments and brutal stories of racial tensions in America. The soundtrack also seemed to be off. Serious moments weren’t reflected in what we heard and this is integral to creating urgency within the viewer.
Overall Grade: C
Even with my harsh rant, I don’t think its a bad watch. I actually encourage folks to go see this movie for the historical relevance. I just think that the constant shift in tone, sound and emotions muddy down what would otherwise be considered a pretty bad-ass story.
Blackkklansman Biography, Comedy, Crime
August 2018
Director: Spike Lee
Legendary Entertainment/Blumhouse
2 hour 15 minutes
IMDB referenceĀ click here
Godzilla vs. Kong reminds me that I was an idiot as a child. I allowed the 4:30 Movie too significant a piece of my brain pie. I existed in a headspace where The Planet of the Apes and Gamera were more science than fiction. I was certain skyscraper-sized monsters lived in the woods a few blocks away, and that ghosts were under my bed. Somewhere in possibility-land, a black and white Lon Chaney slowly becomes a werewolf in a handful of dissolving frames.
Cut to my final form, and I can’t help but think these movies are just a total waste of time and resources. Sure, the effects can be impressive but often they have as much weight as a video game. Buildings smash into dust, an actor says a line against a green screen, then Kong sits on a throne like a stereotypical king. Ah doi!
Sure, the hollow Earth with upside-down mountains in the sky is cool – but where’s that sun coming from? The MechaGodzilla fight has some great effects, but you can watch those on Youtube without having to sit through a bunch of lines like “Kong bows to no one.”
Maybe I just can’t enjoy normal human things anymore.
Summary: The epic next chapter in the cinematic Monsterverse pits two of the greatest icons in motion picture history against one another - the fearsome Godzilla and the mighty Kong - with humanity caught in the balance.
Countries: USA, Australia, Canada, IndiaLanguages: English, American Sign Language
Bucky Barnes will change his name to Summer Soldier Buckquan because āNah son! we aināt doing sh*t in the winter!ā
Fearing for their lives, Police officers will fire 751 shots at Cap in the 4th of many incidents to come.
In a new altered timeline, Thanos will win due to Cap being detained by a routine traffic stop. āHow can you afford Vibraniun on a government salary? Please step out of the vehicle sir.ā
Captain America will form a Rap group with Black Panther called āBlack-America.ā The group will not be received well but will eventually have all their intellectual property stolen for decades to come without any due repar… I mean royalties. #MESSAGE
Racists will be utterly confused when they tell Captain America to āGo back to where you came from.ā Equally confused, Cap will pack up all his belongings and stay put.
Cap will be accused of stealing Thorās hammer the next time he picks it up.
Capās shield will be replaced with a Vibraniun PlayStation Controller since black men are more comfortable throwing that.
The battle decree will officially be changed from āAvengers Assembleā to āYerrrrr! Itās on sight!ā
After 40 years of service, Cap will travel back in time to 1998 to finally get that last dance with his true love, Laura Winslow. They will Cha Cha Slide to āBefore I let Goā as the credits role.
Upon retirement, those jaded with having an Af-Am do such an amazing job will appoint a failed real estate charlatan to take up the mantle. The New Cap will immediately try and grab Scarlet by her āJohanssonā and declare himself the best Captain America that ever did it during his inauguration.
It is clear that Chadwick Boseman chose iconic roles like Thurgood Marshall, James Brown, Jackie Robinson and Black Panther with deliberate intent and for a specific purpose. In an age where positive roles for Black actors is often sparse, Chadwick managed to land and portray historical figures that made most respect his talents if not revel in his ability to transition effortlessly for one character to another. Even I had to give his African accent a solid B+ (Itās the highest grade the Nigerian Standards Bureau can give for an African accent to a non African FYI.)
Holding out and preparing for these dynamic roles came with both great frustration and incredible resolve Iām certain. Not to mention the taxing ordeal of battling Colon Cancer as the grueling scheduling of filming and increasing responsibility for positive representation loomed. Even under extreme duress, Chadwick’s commitment to others appeared to outweigh his own tribulations, unbeknownst to us all.
Black Panther may have been just a movie to some and that may be because some can easily rattle off 10 movies with a king of non Af-Am origin. It represented a lot more to others. Albeit imagined, imagery on cinema often accomplishes more to augment the social narrative and society itself than actual reality. If negative stereotypes influence perception then positive ones absolutely have the same converse effect.
Even in jest, the cultural misappropriation of raisins in potato salad on SNL skits directly spoke to the tampering of black culture to which Tāchalla championed, represented and aptly responded āOh hell Nah Karen!ā
If you donāt understand the relevance of representation, itās probably because you are thoroughly represented. After all, no one is ever grateful for every breath they take until they are gasping for air.
R.I.P Chadwick Boseman. Thank you for breathing life into the possibility of Black excellence.