I recently had the pleasure of chopping it up with a very talented artist from the continuously growing genre of Soca. His name is Julius and his sound is coming to a fete near you!
For those who aren’t familiar with Soca music, how would you describe it to someone who’s never heard it?
Soca is a fusion of African and East Indian instruments coming together to create this unique melody and sound. Soca music is infectious, sexy, happy, feel good music; you can be in a real messed up mood but if you put on Soca music your world is just transformed and you’re taken to a happier place. Soca is good for your peace of mind.
The song “Good Oh“ tends to bring back good memories of specific wines in my past, is that what inspired you to write this song?
My writing partner Fojo and I went for an afro-beats vibe with an energetic old school flavor. Strong lyrical content not on your customary topic, we were capitalizing on the idea of the reaction a woman can illicit from an admirer, but not merely based on her looks but an all encompassing meaning of wellness, a woman who knows how to take care of herself, her mind, her body and her future…she’s just “Good Oh!” So when you listen “Good Oh” there’s no doubt it will bring out that specific wine that you’ve connected to a “Good Oh” memory.
With your experience on the stage and in the studio, where do you feel more at home and why?
Good question. Both equally feel at home to me. Onstage I love the energy, I love entertaining a crowd, the adrenaline rush, the sexiness in presenting my craft to an awaiting audience. Then you go to the studio where the adrenaline is about creating that masterpiece, the challenges, the meeting of minds, the agreements and disagreements all for one goal which is to create a strong and banging product. So to me I love both experiences, I’m at home anytime I’m showcasing my talents regardless of venue.
Have you ever thought of recreating one of the earliest and most influential songs (that still resonates today) that you were a part of, “The Future Belongs To Me“?
“The Future Belongs To Me” was a project, well a very huge project I was thrown into as a kid. So to recreate it would be awesome, I’ve actually considered it from time to time. But you know one of those creations where you can’t surpass the original? Well to me that song is one of those, but this generation definitely needs a reminder of a message like that, undoubtedly.
With Carnival season in full swing, where can we look forward to seeing you perform?
Well, I know this question is a bit past its timeframe, but with regards to all performances…presently my team is working on future engagements and everyone can keep posted to my social media pages for all announcements and expected appearances.
What has the reaction been from everyone, particularly the ladies, to “Hold Me“?
The reaction I got from fans after “Hold Me” were motivational and encouraging, some said it’s different, some think it’s very melodious. The ladies say it’s a message they would want to hear from a guy. Everyone has an opinion and I value all feedback, but overall it’s been a real positive reaction from everyone.
Do you really have no time for “No New friends“? The song is infectious enough to create new friends. How will you handle that as this song takes off? “
No New Friends” is a topic we all can relate to, it’s not about making any new friends per se, but it’s about those instances when you meet someone and you’re like “I feel I’ve known you for a long time” and then there are those people who you meet and it’s like “I don’t like their vibe for some reason, as we Trinis say meh blood doh take them” so this song is about those people who are on that same mission as you are and that is to win. Because when one of us wins we all win, team, day ones to the end.
As you can see Julius is an artist to look and listen out for. Click on the pic below to hear one of his newer tunes that will surely get you hooked! “Good Morning Trinidad“
Mitski Wants Love
Mitski has been dropping about an album a year since her debut in 2012. Her latest, Be the Cowboy, is arguably one of the best records released this year – an emotive excursion dripping with buttery vocals and cheesy synths – as likely to explode into a Pixies flourish as to conjure Bjork or Joni Mitchell.
Comparisons aside, Mitski is her own sweet beast, balancing the candid and complex with an economy of words, simmering the layers of love into individual components of fidelity (“Geyser”), regret (“Why Didn’t You Stop Me”) and desire (“Remember My Name”). She’s as comfortable in the Brill Building (“Me and My Husband”) as in the Grand Ole’ Opry (“Blue Light,” “Lonesome Love”).
Mitski is an artist to be reckoned with, but at the end of the day she just wants a little love. Just like you.
Death Cab for Cutie Draws a Line in the Sand
Death Cab for Cutie’s shiny pop musings are in full effect on Thank You For Today, their ninth record and first without longtime member/producer Chris Walla. The short affair, 38 minutes over 10 songs, has some fans burning their membership cards, and others fainting into their lattes. How you feel about it boils down, like everything else, to how closely your identity is linked to the pop culture you coveted during your formative years. The rest of us, who don’t expect musicians to freeze in time, will have no problem digging this batch of dreamy and effervescent tunes.
“the swinging of a wrecking ball
through these lath and plaster walls
is letting all the shadows free
the ones I wish still followed me”
– Gold Rush”
“the swinging of a wrecking ball
Thank You For Today stands comfortably within the arc of their later work, and only occasionally reaches back across a twenty year career for inspiration. Songs like “Your Hurricane” and “Near/Far” hark back to early Death Cab, for example, and “Summer Years” may remind you of Ben Gibbard’s side project The Postal Service (and possibly Amnesiac-era Radiohead).
But this isn’t a back to basics record. Death Cab continue the buoyant rhythms exercised on their last two albums Kintsugi and Codes and Keys to great success, especially on “I Dreamt We Spoke Again” and “Northern Lights,” the latter “featuring” buried background vocals by Chvrches’ Lauren Mayberry.
The press can have a field day pining for the early days. Meanwhile Death Cab’s last four records have topped the Billboard Rock and Alternative albums charts. Fans even sent this one to number one on the Vinyl chart, and the divisive single “Gold Rush” (with its The Verve inspired video) has been sitting in the number one spot of the Adult Alternative Songs chart for six weeks now.
All this suggests that someone out there still loves Death Cab for Cutie. Me included.
Axel Leon – Rich Port 3
Axel Leon! Let that name sink into your consciousness for a minute. For the few of you that seek and find talent, you may already be aware of this lyrical juggernaut. As for the rest of you, here’s your opportunity to get on board before you’re forced on.
This emcee hails from the birth place of Hip Hop (the Bronx) via his birthplace of Puerto Rico, and it shows. Axel has a new album by the name of Rich Port 3 that deserves some recognition and airplay. Want proof? Check out the gems dropped in the video below for Jungle.
The simple yet seemingly more elusive marriage of lyrics and beats are joined together in holy matrimony throughout the album. Don’t worry, no hard bottoms are required to attend these festivities. Feel free to be his guest and consider yourself a witness after you peep Yacht Master.
As you can hear by now Hip Hop is alive and well throughout this 11 track body of work and wordplay is the connective tissue. Inspect it, dissect it and learn from it. You’ll be very pleased to have finally discovered Axel Leon.
If the flow ignites some memories in your head, don’t be surprised. His voice has increasingly been getting out there and he’s ready to take the next step up. So don’t be alarmed by the heat, it’s just The Bronx burning again!
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