I caught Blak Emoji at Arlene’s Grocery last year where their infectious electro-pop burned down the house. Their recently released album KUMI combines sexy synths with alt rock swagger and is sure to get your ass on the dance-floor.
When I asked singer and creative mastermind Kelsey about his influences, he obliged with 5 for 5 – five tracks each from five of his favorite artists.
When Doves Cry This is one of the best American pop songs with an avant-garde tinge I’ve ever heard. There’s never been another song that sounds like this. Musically unique and lyrically brilliant. Mecca of pop songs and an incredible less is more composition. This still sounds like one of the most cutting edge song to ever top the pop chart.
Controversy This is one of my top 5 dance songs. The vocal melody is so simple and catchy. There are so many instruments with melodies of their own bouncing off each other here. And somehow they don’t get in the way of each other. The lyrics have this psychoanalytic and existential quality. He pulled that off in a dance song. One of the best electro funk songs you’ll hear.
I Wanna Be Your Lover Wow, one of my favorite falsetto performances hands down. Prince’s vocal here is stellar. It’s a clever dance pop song with an infectious hook and crooning soul. So perfect and classic.
The Ballad Of Dorothy Parker I was floored first hearing this. It’s like minimal avant funk. The lyrics paint a vivid, playful picture where you can practically see the weirdness of this relationship right before your eyes. Plus the drum programs and beats here are still creatively ahead of it’s electro-funk time.
Condition Of The Heart This album track doesn’t get mentioned a lot but that doesn’t matter. It’s an eclectic ballad track for a rainy day, with those sweet ghost like keyboards. It so Prince! I miss this man. Learned so much from him musically, more than any other artist.
NINE INCH NAILS
March Of The Pigs Straight up bombastic industrial rock in a 7 meter. Classic crafted angst in less than 3 minutes. One of my all time favorite NIN songs. It makes me feel better. It’s aggressive but so much fun.
All The Love In The World I think this is one of Trent’s most beautiful pieces. It almost has a dub reggae quality to it. He sounds so revealing and broken here and it’s so great! Then the last part of the song with the 4 on the 4 beat with those chords and vocal build up! Trent has a unique style of writing surprises that always work.
The Fragile Sonically next level minimalism and then later cinematic. The hook here sticks in your head in the best way. “I won’t let you fall apart” is such a great, catchy uplifting chorus. But it kicks ass at the same time.
Even Deeper Another track with that sonic brilliance from the same album of the previous title track song. The chorus here, again so infectious. Dr. Dre does a great job here assisting on the beats.
Echoplex This chorus right here! The guitars sound so raw and cool. And that BEAT tho! I wish I wrote this song. Another one of my favorite NIN choruses lyrically and melody wise over those unpredictable dark chords.
Airbag If I play this song I have to play it at least 5 times in a row. I can’t even begin to describe how incredible this song is. Sonic and hooky brilliance!
Everything In Its Right Place Ah, I LOVE the chords in this song. Like major keys don’t sound this warm and mysterious. This is like a hypnotic mantra personally. I never get tired of this one.
Planet Telex Another album opener with a bang like Airbag (and Everything In Its Right Place, sensing a theme here). Same deal with the incredible melody, chords and broken pocket processed drums. They make the simple sound so complex yet catchy. That chorus…
Separator Yet another with the beautiful melodies and beats. Thom sounds like he’s floating here. Calm, yet soulful in his own way. Love the way it builds. The perfect night driving song. Like perfect. Can we give a shout out to Jonny Greenwood please?
True Love Waits This song is one of their most beautiful, it brings me to tears, It’s such a revealing, clever love song, like the one that says what you want to say in a poetic way. The piano changes are hauntingly heavenly. I prefer the new studio version of this one. This song is what love is to me.
Infinite Love I heard this song a few times when it was released on the downlow and had trouble getting an MP3 of it then. Erik the drummer was nice enough to send this to me (sweet dude). It’s probably in my top 3 Little Dragon songs. I love everything about this electro chill track. This B side should’ve have ended up on an album. It’s too friggin’ good!
Turn Left This keyboard melody (and later vocal) drives the whole song. Awesome catchy, quirky electro pop soul track. This was the first Little Dragon song I fell in love with. Yukimi oozes effortless soul.
Blinking Pigs Was hooked on this song from first listen. It’s one of Little Dragon’s best electro soul pop songs in my opinion.
Pretty Girls I love the verse melody so much and the sound of the keyboards and programs here. Such a great track.
Underbart I love the sound of this one so much. Brilliant electro pop piece with Yukimi’s angelic vocals and infectious chorus. The video is killer too.
Shit Damn Motherfucker This is the one I go back to most on this debut album. I love how it’s so smooth and chill yet the lyrics could have been in a Johnny Cash song.
Playa Playa One of my favorite basslines. You’ll never get it out of your head. This tune is so pocket funky and the vocals are just killin’. All musicians should study this tune, especially when it comes to space. Pino and Questlove lay it down hard AF here!!
One Mo Gin I’m floored by the laidback hypnotic groove, classic soul and lyrics of this tune. So behind the beat but dead on. Brilliant track that’s vivid. Again, this bassline! Damn Pino (Palladino).
1000 Deaths This was a surprise for me. D goes psychedelic acid funk rock here. It’s almost Funkadelic-like with a Sly Stone vibe, heavy rock and hard funk. Try not to bob your head to this political funk rock banger.
Another Life The arrangements, rhythm section and damn, this song is like a wedding song. It’s a beautiful, definitive love song for ages. Love the vocals arrangements and D’s classic soul adlibs at the end.
Janita’s New Song “Bliss I Once Had This”
Fresh from her residency at NYC’s Mercury Lounge, ECR Music Group recording artist Janita releases the new single “Bliss I Once Had This” on October 18, and we have the premiere.
The guitar-forward track, which you can hear below, is a notable change from Janita’s last record, Didn’t You, My Dear?, also produced and recorded by label owner and musician Blake Morgan.
Janita describes the song as “a declaration of joyful defiance in darkening times.” The track taps into the moment when empathy meets apathy, when we’re as likely to question “Who am I to feel happy now?” as we are to throw up our hands and say “Never mind.”
Janita and Blake share guitar duties on the track, rounded out by Miles East on drums and percussion and Justin Goldner on bass.
Janita’s last show this year is in her hometown of Helsinki at the legendary Tavastia-klubi on November 10.
Pixies Straighten Up and Fly Right
The Pixies demoed over 20 originals and some covers in their upstate NY sessions with producer Tom Dalgety last year, whittling them down to 12 tracks for the new gothic record Beneath the Eyrie. Much of the warts-and-all recording process was captured in the excellent 12-part lead-up It’s a Pixies Podcast. You’ll find no other iconic band pulling the curtain back on their process with the same amount of honesty.
Dalgety has a way of smoothing over Pixies’ rough edges to sometimes exquisite effect. Other times you may miss the rust and crunch of producers Steve Albini and Gil Norton. But it’s not 1988, and this is an older, wiser band with adult aches and pains – and a sudden interest in being less obtuse. Some fans may not be ready to hear Black Francis sing straight-forward lines like “I’m ready for love” and “Last night I was driving around, nothing to do, thinking of you.” Fans of Frank Black, however, may be better prepared. Personas are a bitch. So are rigid expectations.
Folks like to talk about a Pixies “sound,” and there is something certainly recognizable as that, but the sonic arcs between albums only extend a record or two. Surfa Rosa and Doolittle share a sound, but there’s less in common between Doolittle and Bossanova, or between Bossanova and Trompe Le Monde. Indie Cindy (made 23 years later) does pick up where Trompe left off, but the next two records, Head Carrier and Beneath the Eyrie, find the band moving beyond that entirely, even though the DNA is most assuredly Pixies.
Eyrie kicks off with the bubbling “In the Arms of Mrs. Mark of Cain,” a track with no real precedent in their catalog, but another that proves drummer David Lovering is the skeleton holding the body up. Things get a little more traditionally Pixies with “On Graveyard Hill,” even if the lyrics are less esoteric than fans have grown to expect. This rolls into “Catfish Kate,” a downright story song with Black playing narrator Blackjack Hooligan. The track is one of the few on Eyrie to employ that tried-and-true loud/quiet/loud aesthetic.
Guitarist Joey Santiago lets it rip on “Ready for Love,” bringing his new-found sobriety into focus. Perhaps in deference to Joey, the band’s upcoming tour will be dry – no drugs or alcohol. I know it’s not as simple as that, and perhaps Black’s marital woes have something to do with cleaning up for the tour. But wine is all over this record (and the podcast), especially in the tipsy chorus of the Tom Waits-ish “This Is My Fate” and in the poetic refrain of “Silver Bullet.”
“The shade is drawn with stem and vine
Burned in the flame of a man condemned
With venom wine and golden dawn
A silver bullet in the chamber turning”
Bassist extraordinaire Paz Lenchantin gets writing credit on the ’90s-sounding “Long Rider” and sister track “Los Surfers Muertos,” which pay homage to a fellow surfer that lost her life carving the waves. “St. Nazaire” throws a raucous bone to fans, with a story steeped in the type of seaweed-covered mythology Pixies die-hards know well. It’s not as delightfully unhinged as “Planet of Sound” or “Blue Eyed Hexe,” but it’s a welcome bit of aggro.
Inspired by Black nearly driving into a deer on the way to the studio, the sprawling “Daniel Boone” slowly swells into a version of Pixies that fans have yet to meet. There’s a slow beauty to the track that resembles some of the quieter moments on Indie Cindy, but not hardly as compressed.
Eyrie ends with another ‘tranquilizing drink,’ “Death Horizon,” a mid-tempo ditty that puts the finishing touches on what may very well be a break-up record for Black Francis. In that way, it feels like Black has shed his personas and fronted the band as his true self, Charles Thompson, for the first time. It’s who he was all along.
RAPSODY – EVE
Eve must’ve bit into an apple off of the LYRICAL tree with the type of seeds Rapsody is spitting on this album! Each of the 16 branches from this sequoia is worth your time and attention. She’s praising, reflective, educating and entertaining at the same damn time!
The words that constantly sprout from the soil of her nurturing production team lets us know the work has been put in. The fruits of her labor are abundantly clear when you grasp the content of her art musically and visually. A perfect example of this combination is on full display in Ibithaj feat. D’Angelo and GZA.
But her cameos don’t end there! The features in this forest make sense and keeps the proper balance within this ecosystem. The biggest challenge you’ll find when camping out in these woods will be choosing the best collaboration.
Oprah feat Leikeili47 is the type of the track that will keep your necks nodding from beginning to end. But I can easily say the same thing about Maya feat K. Roosevelt which is also a certified banger!
There’s more than a handful to mention here, but I want you to do yourself a favor and find those other gems after you cop the album. Here’s a hint…Rapsody also trades bars upon bars on a couple of other standout tracks with J. Cole and the Queen herself…Latifah!
Despite Rapsody’s last outing (Laila’s Wisdom) being great in itself, she managed to raise the bar yet again with Eve. Her words are inspiring, refreshing and unapologetically poignant. EXACTLY what we need to hear right now!
Keep your ears and eyes open for BIG KRIT’s “From The South With Love Tour” with special guests Rapsody & Domani Harris. It’s sure to be as memorable as the first offering below from her gift basket of treats.
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Why You’re Racist and Don’t Even Know It
Music1 month ago
Pixies Straighten Up and Fly Right
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WILL THE NEXT BE THE LAST?
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New Music: Jay Som
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RAPSODY – EVE
Movies2 months ago
TV1 month ago
AMAZON’S “CARNIVAL ROW”
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